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During the Second American Civil War in 2017, Barb Wire owns a nightclub called the Hammerhead. Things become complicated when her ex-lover Axel Hood, who is married to the fugitive Corrina Devonshire, re-enters her life.
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◎译 名 越空追击/未来帝国
* M& v( j2 T6 _3 S/ b◎片 名 Barb Wire
4 ~7 r9 c/ U1 s◎年 代 1996
( [5 ^2 x- g q( p) O◎产 地 美国
8 j) C) k9 t q◎类 别 动作/科幻
; Y) i+ _ r7 Z3 Y◎语 言 英语/法语/德语
/ E% z- H& y5 L- Q◎上映日期 1996-05-03(美国)
& l& A! K7 a; c8 Y6 l& E◎IMDb评分 3.4/10 from 28,546 users" C0 h8 q; f0 Z" L' A
◎IMDb链接 https://www.imdb.com/title/tt0115624/; ~8 k+ t3 w. s3 G! X; ?& E9 k; z
◎豆瓣评分 5.7/10 from 392 users8 r- k: y! @4 B2 Y& k% P' \
◎豆瓣链接 https://movie.douban.com/subject/1303484/
" C6 o& s+ @& ]4 s5 i! Q◎文件格式 x264 + DTS 2 R$ z6 K- V9 R- `5 S
◎视频尺寸 1920 x 1080, C1 M: Y# D+ C* I& n
◎文件大小 1DVD 24.87 GiB
/ R$ U) o7 T. I3 H( t7 C◎片 长 1 h 40 min7 a; m. ~/ A: E, h7 A4 i7 R. k9 R' k
◎导 演 David Hogan, ?$ K% g. h1 Q2 K( L5 n7 g0 w0 y0 }
◎编 剧 艾琳·柴肯 Ilene Chaiken
1 u! ?% u) k7 Z" n5 R" I$ S 查克·费尔 Chuck Pfarrer, h5 L K7 Q0 }8 U- F$ [
克里斯·华纳 Chris Warner9 U& b* E) L' J i% k& G! ]% _& `
◎主 演 帕米拉·安德森 Pamela Anderson5 d( u! L! ^- x+ C2 Z4 @$ S L
阿米尔·阿布莱拉 Amir AboulEla
) c! L) V$ [9 u# G, d Adriana Alexander
: f% S" \/ Q: P& N. V( t 大卫·安德里奥勒 David Andriole
- K; V8 z* q" S t D" p Vanessa Lee Asher- ?1 z# _- I& m7 f
罗恩·巴利基 Ron Balicki+ o3 B7 k- P3 r6 M8 d, b A& y
詹妮弗·班科 Jennifer Banko
0 W5 l5 T& `4 m) r+ F Candace Kita
$ M1 P; V, l: d( s2 \" P 山德·贝克利 Xander Berkeley
" k* s! m7 n5 f$ E! p 托尼·比尔 Tony Bill5 k% i7 [+ f& _
Alex Bookston3 L* b- n% ]/ d! ^6 m: @
Gil Borgos
, b1 x( Q& F9 Q, D 安德雷·罗塞·布朗 Andre Rosey Brown
( p( N$ [/ s# r 谢里·德赛 Shelly Desai! {" ]+ q4 O7 B7 e6 j5 A: o2 O
克林特·霍华德 Clint Howard2 G! w/ Y' j8 W! I3 D$ E- [4 y
戴安娜·李·伊诺桑托 Diana Lee Inosanto
9 Q- G( K7 O8 Z% S4 Q& p- F 乌多·基尔 Udo Kier
3 ^) B( R1 D! U6 {( }' ] Henry Kingi
! ~5 g3 s3 G$ ~& |/ m# W 汤米·利斯特 Tom Lister Jr.
; @! O7 L+ l' A$ `9 ^- i 马绍尔·曼尼什 Marshall Manesh; i% j" w$ h' o Y- x% V+ O6 R
特穆拉·莫里森 Temuera Morrison
' k" \& R" \- t3 X4 s7 |' Z 杰克·诺斯沃迪 Jack Noseworthy( T D! ?$ h5 t. W2 `9 M8 P" Y
史蒂夫·雷尔斯巴克 Steve Railsback
# `9 p; R z: K+ x7 } 维多利亚·洛威尔 Victoria Rowell% b8 u0 w1 C" o; `" X" E
Michael Russo
( K7 f# M$ J( ?" D V- W/ d( U, D 乔伊·萨加尔 Joey Sagal' T( F2 q2 y: ^8 ]. i
卢·西蒙 Lou Simon
9 [0 r# A5 L/ g, x2 y: x 罗伯特·斯莫特 Teo
: O. L3 E! D' V& u0 z! n3 E& A6 ? 多米尼克·范登博格 Dominiquie Vandenberg
6 ]; Z7 Y# K# U% i( V8 Y 爱万 Ai Wan9 o1 G" q; X' \) ^2 `
Nicholas Worth" {* v- a, g. t# v' ]* }9 k
萨尔瓦托雷·哈雷布 Salvator Xuereb; R# O& }8 n% L. Y* o7 J# z1 B
安尼特·卡尔普 Annett Culp+ m) Q: t4 Y; v w0 v7 i; u6 H
莎拉·克拉斯娜 Sarah Krasner
" N- [) [- o) Q8 l1 y Darin Mangan, |& I! g+ F4 `* O0 T
Arthur Tipp
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+ [& C! N! W. d◎简 介
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5 Y& a; _& _7 K3 h1 t 本片讲述21世纪初期,美国爆发内战,独裁政权推翻民主制度,自号国会监察。各义士奋起抗暴,全国烽烟四起,各地更严密实施军管。唯一的自由城市钢港,市内龙蛇混杂。火凤凰在此经营酒巴,兼职捕快与一批抗暴分子并肩全战。艾素是一名自由战士,与火凤凰曾有过一段恋情,帮助女科学家戴博士逃离华盛顿,并与她一起逃到钢港,在走投无路之下求助火凤凰,相处之下二人发生微妙的感情。
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3 Z9 `/ K: I8 z/ i$ C/ R! y There's a joint in Steel Harbor. It's called the Hammerhead Bar and Grille. The place is legendary. So is its owner. Her name is Barb Wire. She's razor sharp. She's tough as nails. She won't take shit and she won't take sides. She lives in the not-too-distant future where biology is used to kill, not cure, in a country devastated by Civil War. Every man wants her. No man can have her. She's a woman with high standards in a world of lowest common denominators. She's not about to waste her time with a man unless he has a really big one and knows how to use it--a brain, that is. It's been a long time since Barb's been on anybody's side other than her own. But when she wants to, she can more than match any man. There's nothing she can't handle. You can blast her and beat her, slash her and shoot her, drag her and diss her. But, whatever you do, just don't call her "babe..."
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Barb.Wire.1996.UNRATED.1080p.BluRayCD.REMUX.AVC.DTS-HD.MA.5.1-FGT3 ] q% N3 y, P. t! K8 F0 [
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Video
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% C% }4 l& r6 n( s" CFormat : AVC
' m2 p' j4 F0 m. u7 d' S( OFormat/Info : Advanced Video Codec3 @& A8 Y! A, v# ?
Format profile : [email protected]" t) x$ L1 U3 [
Format settings : CABAC / 4 Ref Frames4 P/ G' K2 p. [* q
Format settings, CABAC : Yes0 l2 M7 U8 s9 K* O7 Y$ p& A9 e
Format settings, Reference frames : 4 frames& v1 @) T: _( A7 O
Codec ID : V_MPEG4/ISO/AVC& b! L8 f$ q0 l1 Z# [. S5 n6 F9 R
Duration : 1 h 40 min5 A2 Z8 F0 I! l
Bit rate mode : Constant5 U b9 T3 W/ c/ ]
Bit rate : 30.0 Mb/s1 r. a- A/ J" [9 ]" p2 k: T" i% O
Width : 1 920 pixels
5 F' H! U1 r$ L0 R. E9 j5 sHeight : 1 080 pixels2 ?1 } y* H8 m; h5 y
Display aspect ratio : 16:9
( }4 x1 b2 V& h, V- XFrame rate mode : Constant4 m+ a; l, I( b# k( n) a% y
Frame rate : 23.976 (24000/1001/189150) FPS/ ?' {4 _5 L4 }0 c1 x
Color space : YUV
0 I4 D; V$ J& n* y6 @- [* k F `Chroma subsampling : 4:2:0
0 K Z" G! E6 iBit depth : 8 bits
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* {' o* T! ]. A: fBits/(Pixel*Frame) : 0.603
! L, ~$ B U: }! ~% l NStream size : 20.4 GiB (82%)
" a1 w$ }* k2 W: a1 c% a( X3 gLanguage : English
9 ?4 g6 {# d8 }& Z, V2 C4 RDefault : No
2 c1 m& N4 n4 pForced : No
- A5 s7 V8 n1 J; kOriginal source medium : Blu-ray
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2 T9 N( o) L/ e3 {) gAudio #1/ S, F* p) u+ H' b* p, x
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$ u- s- N: h3 Z: `ID in the original source medium : 4354 (0x1102)/ i% D4 ?) m- s. ^2 C* h
Format : DTS XLL8 S' v6 J) h7 w
Format/Info : Digital Theater Systems6 c# \ ^5 P5 K5 v: s% z: s! p9 [
Commercial name : DTS-HD Master Audio, ?6 F" k/ Y. I0 z; l; `
Codec ID : A_DTS7 `: Q+ z. t( H
Duration : 1 h 40 min
9 c% N% d! I' q' J/ P8 l, q( dBit rate mode : Variable
( H! Q5 v$ {3 ~/ X3 qBit rate : 4 217 kb/s
' o: i/ D+ }4 N2 n8 FChannel(s) : 6 channels
' c6 g2 _9 k- O9 `+ s6 iChannel layout : C L R Ls Rs LFE1 x0 k. J# ^( q- N/ j8 i
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/ M& K! E" D( ?: X5 o/ t& u, ^# wFrame rate : 93.750 FPS (512 SPF)9 o5 w9 {. L1 u* K! E1 j8 Z# R
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W5 \ M! w9 Z, N' s5 ? LCompression mode : Lossless4 l2 Y' }4 V4 y# Z* P" I5 ^
Stream size : 2.96 GiB (12%)
% T7 @4 Z4 ]+ @1 z7 b# [Title : DTS-HD MA 5.1
0 `0 ]3 ^) F, E9 S( \Language : English9 N: z3 {( Q" Q+ }, [/ \
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+ |& H! G1 c* n2 a0 P7 fOriginal source medium : Blu-ray) b! [6 E( k6 O( |4 q7 M) M
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Audio #2! H) k% M3 g* x% @4 O# W J: s
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& W6 F' @: i& z' P/ @Format/Info : Digital Theater Systems
7 m9 ~" ~' H ]' O* j, SCommercial name : DTS-HD Master Audio
: v0 P& K) P1 t# gCodec ID : A_DTS3 b4 s. ~* L& b- M. g. B5 J3 w
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3 X; o) t& j0 Y: h( `( I& u* B! CBit rate mode : Variable( O5 T) e) m4 @$ G9 Q- i
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: U* b/ C: D; L8 `" w+ H; b9 MChannel(s) : 2 channels
; V' w: v; Z$ U9 V5 gChannel layout : L R( T$ ^- }& S( Q {
Sampling rate : 48.0 kHz
3 q. L' \8 Z6 J3 HFrame rate : 93.750 FPS (512 SPF)
, q/ d c; ]7 ]. N' z8 T; S' _+ QBit depth : 24 bits
& j+ v+ ~# ]# r) X5 hCompression mode : Lossless2 G, z& \9 O: r
Stream size : 1.48 GiB (6%)/ n' E: ? m9 U$ {) p y8 X
Title : DTS-HD MA 2.0
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& T0 J$ |4 b& a9 V, DOriginal source medium : Blu-ray
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0 I0 e" v& p% R5 y* `- ?1 m8 b7 jText #1
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8 c4 @7 T% k' W! e& J* DDuration : 1 h 32 min0 p) s8 V6 n9 a( G
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+ s+ }% W5 Q3 I4 x* W. ] aCodec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
* W4 c% y8 m4 G8 s. DDuration : 1 h 32 min
8 X ]9 [/ J4 d' GBit rate : 28.9 kb/s
* O. _* R8 ]: Y/ n& Z2 c5 n2 s; @( tCount of elements : 26053 I" T3 ~1 y3 ?9 @ u
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; M, D; k7 X% P* D. E( yMenu! ] @" Z/ n U. Q6 R7 Q
00:00:00.000 : en:Chapter 01
1 W7 m& C5 J% A D00:00:59.642 : en:Chapter 02; @7 V0 _# l5 E9 {& z. k2 m2 b
00:05:22.864 : en:Chapter 03
9 {3 ?1 {9 B4 o- Z00:10:12.612 : en:Chapter 04
& }4 C; @0 W# B. U9 w00:14:19.608 : en:Chapter 05
1 ]5 d9 ~. y& h' E00:17:26.253 : en:Chapter 06
1 g X L6 V, I P, _00:21:12.020 : en:Chapter 07* y2 c" t3 M2 B
00:24:52.199 : en:Chapter 08
% b4 x/ m$ Q6 X# l3 a6 K! O9 |5 @00:29:57.712 : en:Chapter 097 z9 v9 m) O" }/ | V
00:36:09.000 : en:Chapter 10. g: `. e- z5 b; n
00:41:46.462 : en:Chapter 11
6 O2 V8 t4 d6 I% x4 J00:46:16.565 : en:Chapter 12* v3 D7 E. D0 J+ f. v- Y
00:48:41.501 : en:Chapter 13% |# }* x7 I# E( k; f
00:50:45.584 : en:Chapter 143 [2 `2 p, E8 x) w' M; O' X
00:55:32.120 : en:Chapter 15
( i5 I! U$ c' ]* ^8 R, |5 M00:57:31.698 : en:Chapter 167 _. {: f m \: A @( q! r) |! I
01:01:45.076 : en:Chapter 17
4 Y2 g: s$ v6 ~8 V01:06:50.965 : en:Chapter 18
7 ~; j9 k9 \& A) c M- m9 Q6 K; q01:11:32.037 : en:Chapter 19
1 X* {/ T N% C7 @+ ~% a4 t/ }; e01:14:22.708 : en:Chapter 20; i$ I& `6 m: ~/ X" \# Y( F5 r7 n
01:18:27.494 : en:Chapter 213 w, E: \1 S" z5 E9 ?( N4 p& I
01:21:57.162 : en:Chapter 22
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01:35:03.864 : en:Chapter 24 Barb Wire Blu-ray, Video Quality
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Barb Wire's sultry 1080p/VC-1 encoded transfer is alluring and attractive... if you squint and stare from across the room. Unsightly edge enhancement takes a toll on the presentation (moderate to severe ringing is apparent throughout), unmistakable noise reduction glazes many a scene, and darker sequences suffer with middling delineation and crushed shadows. And it only gets worse as the film hobbles along. Bota's irradiated dystopia palette is rendered with unnaturally hot and sweaty saturation, black levels are subject to crush and poor resolve, and skintones are often muddy or flushed. It's all bolder and bawdier than the colors that adorn the original Dark Horse comicbook, I'll admit. But not in a good way. Meanwhile, detail ranges from passable to decent, DNR-born waxiness abounds, fine textures falter throughout, edge halos persist and object definition is unreliable. Even contrast is a bit inconsistent (albeit not enough to warrant any frothing at the mouth). And the encode itself? Though fairly proficient overall, it still struggles with print blemishes, minor artifacting, soupy noise and other digital nonsense. The Blu-ray edition of Barb Wire may be a high-class hooker compared to its DVD counterpart, but that doesn't mean it boasts a classy high definition presentation.
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, u7 {% M! c/ S$ w6 nBarb Wire Blu-ray, Audio Quality ( `. g* w+ h; K" U. G$ Y( ^& e
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# A/ \ D6 e5 t/ V, B- [Universal's DTS-HD Master Audio 5.1 surround track is suitably rude-n-rowdy but lacks the precision and polish of a higher caliber lossless mix. Dialogue is clean and clear, gunfire comes complete with a hearty kick kack and Wire's Steel Harbor stomping grounds permeate the entire soundfield. The LFE channel does little to distinguish itself, other than going for the sonic jugular whenever the opportunity presents itself, but any criticism should fall squarely on the film's blunt-force sound design. Likewise, the rear speakers don't exactly draw listeners into the experience, but rather stage a simplistic, superficial assault on the ears. Even then, ambient effects are merely serviceable, directionality is more akin to a shotgun than a sniper rifle, and pans are meatier than they are effective. Dynamics and prioritization are up to snuff though, and anyone who enjoys Barb Wire will more than likely enjoy Universal's brash and reckless lossless track.% @/ B! G. D% N7 N# Q/ ~" z* x
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