黄昏双镖客/金钱与仇恨 [4K蓝光原盘] For a Few Dollars More 1965 2160p BluRaycd HEVC SDR DTS-HD MA 5.1-CHD 92.11GB

Two bounty hunters with the same intentions team up to track down an escaped Mexican outlaw.



  ?( D7 K( f- Z0 T" V" ]% m1 P◎译　　名　黄昏双镖客/独行侠江湖伏霸(港)/金钱与仇恨/赏金杀手/为钱卖命/为了更多的几块钱
◎片　　名　Per qualche dollaro in più / For a Few Dollars More
◎年　　代　1965
' a3 [  O4 W5 `, K◎产　　地　意大利/西班牙/西德
' X; {8 A# f0 H6 w/ b" t9 S9 G◎类　　别　动作/西部
◎语　　言　意大利语/英语
◎上映日期　1965-12-18(意大利)
/ D( r! \+ r9 ^+ u6 X◎IMDb评分  8.2/10 from 251,880 users
) a" |4 E% U3 L9 N+ {# H8 \# S# i◎IMDb链接  https://www.imdb.com/title/tt0059578/
5 t4 l" l3 L- h6 v8 \◎豆瓣评分　8.9/10 from 43,703 users
◎豆瓣链接　https://movie.douban.com/subject/1295586/
' D' j: I6 {+ r6 P  n. h, \1 q& D  o◎文件格式　x265 + DTS  
3 d- I, d% C+ M◎视频尺寸　3840 x 2160
◎文件大小　1DVD 92.11 GiB
0 ?& \0 i* H4 P* n◎片　　长　2:12:08.462 (h:m:s.ms)
◎导　　演　赛尔乔·莱昂内 Sergio Leone
8 y% Z9 n* K3 C. b! `, l◎编　　剧　赛尔乔·莱昂内 Sergio Leone
2 Y$ Y' ~+ {, E* x. S0 e4 z$ `　　　　　  富尔维奥·莫尔塞拉 Fulvio Morsella
　　　　　  卢恰诺·温琴佐尼 Luciano Vincenzoni
) O9 n2 m0 y" m9 Z$ R　　　　　  费尔南多·迪·莱沃 Fernando Di Leo
1 f1 X; A: {/ m3 P. T, ]6 U7 _+ p4 B　　　　　  赛尔乔·多纳蒂 Sergio Donati
& n- D  M! R& v& Z6 t◎演　　员　克林特·伊斯特伍德 Clint Eastwood
1 j4 }4 \: ^, m6 D5 q　　　　　  李·范·克里夫 Lee Van Cleef
- i1 a- ?6 f# x$ p8 a) o8 s　　　　　  吉安·马里亚·沃隆特 Gian Maria Volonté
& M) E" w) j9 ~' X: L1 Y  S　　　　　  马里奥·布雷加 Mario Brega
　　　　　  路易吉·皮斯蒂利 Luigi Pistilli
: p7 P$ k4 e+ i: l, _7 f　　　　　  阿尔多·桑布雷利 Aldo Sambrell
/ `$ j2 i; }! B& v5 G　　　　　  克劳斯·金斯基 Klaus Kinski
0 ]! |2 m) X2 N4 O# z　　　　　  贝尼托·斯特凡内利 Benito Stefanelli
　　　　　  罗伯托·卡马迭尔 Roberto Camardiel
　　　　　  约瑟夫·埃格 Joseph Egger
　　　　　  Tomás Blanco Tomás Blanco
　　　　　  Sergio Mendizábal Sergio Mendizábal
' t) s$ V% }; T# [, n# q　　　　　  Dante Maggio Dante Maggio
　　　　　  Werner Abrolat Werner Abrolat
　　　　　  弗兰克·布拉尼亚 Frank Braña
　　　　　  José Canalejas José Canalejas
　　　　　  萝丝玛丽·德克斯特 Rosemary Dexter
　　　　　  费尔南多·迪·莱沃 Fernando Di Leo
# x2 i, b8 C/ Q, B2 X" R# Q　　　　　  Robert Dryden Robert Dryden
, v4 M9 R9 W9 Z* E8 c; s　　　　　  Bernie Grant Bernie Grant
　　　　　  Jesús Guzmán Jesús Guzmán
7 F+ A3 k& j2 q: ^! k) a　　　　　  彼得·李·劳伦斯 Peter Lee Lawrence
! _2 q1 a* j. U, {1 C$ D# e　　　　　  赛尔乔·莱昂内 Sergio Leone
3 R" s* s" u& x3 V3 ?) ?! g　　　　　  Gilbert Mack Gilbert Mack
　　　　　  纳扎雷诺·纳塔莱 Nazzareno Natale
; X4 Y9 a+ y% s8 N$ ?# K9 F　　　　　  Ricardo Palacios Ricardo Palacios
　　　　　  卡罗·斯密 Carlo Simi
. T+ ^/ `) _/ n3 }/ a# [& q) Q　　　　　  José Terrón José Terrón
　　　　　  Kurt Zips Kurt Zips
　　　　　  恩尼奥·莫里康内 Ennio Morricone
　　　　　  马斯默·达拉马诺 Massimo Dallamano
　　　　　  卡罗·斯密 Carlo Simi
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* ]0 I# n  V& X- E◎简　　介   
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　　Indio（吉昂·马利亚·沃隆特 Gian Maria Volonté 饰）是一个穷凶极恶的通缉犯，他伙同他的团伙屡次作案，他有一个怀表，每次大开杀戒之前都会看一看表，表上有一个女人的照片。赏金猎人Manco（克林特·伊斯特伍德 Clint Eastwood 饰）正在追捕Indio，而另外一个赏金猎人Colonel Douglas Mortimer（李·范·克里夫 Lee Van Cleef 饰）也在追捕同样的目标。两人一开始都看对方不顺眼，后来才决定一起追捕Indio。两人得知Indio准备去抢劫银行，于是定下计谋，让Monco加入Indio的团队，之后再和Mortimer来个里应外合。后来两人不慎被Indio所抓获。到底Manco和Mortimer能否除掉Indio，而Indio怀表里那个女人又和Mortimer有何联系？
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　　本片为意大利导演赛尔乔·莱翁内 Sergio Leone执导的“通心粉”西部片。

　　Eastwood is a keen-eyed, quick-witted bounty hunter on the bloody trail of Indio, the territory's most treacherous bandit. But his ruthless rival, Colonel Mortimer, is determined to bring Indio in first...dead or alive! Failing to capture their prey—or eliminate each other—the two are left with only one option: team up, or face certain death at the hands of Indio and his band of murderous outlaws.
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3. Disc Title:     For.a.Few.Dollars.More.1965.2160p.BluRayCD.HEVC.SDR.DTS-HD.MA.5.1-CHD
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4. Disc Size:      98,903,920,902 bytes
   
5. Protection:     AACS2
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6. Extras:         Ultra HD
   
7. BDInfo:         0.7.5.9 (compatible layout created by DVDFab 12.0.7.2)
   
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12. Length:                 2:12:08.462 (h:m:s.ms)
    
13. Size:                   96,900,034,560 bytes
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20. MPEG-H HEVC Video       84998 kbps          2160p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / SDR / BT.709
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26. DTS-HD Master Audio             English         1568 kbps       2.0 / 48 kHz / 1568 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 24-bit)
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27. DTS-HD Master Audio             English         2996 kbps       5.1 / 48 kHz / 2996 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
    
28. DTS-HD Master Audio             English         1557 kbps       2.0 / 48 kHz / 1557 kbps / 16-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 16-bit)
    
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For a Few Dollars More 4K Blu-ray, Video Quality  

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4 m6 P+ b9 V2 r+ n. ?/ p) LPresented in an aspect ratio of 2.35:1, encoded with MPEG-4 AVC and granted a 1080p transfer, For a Few Dollars More arrives on Blu-ray courtesy of Kino Lorber.
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Please note that all screencaptures that appear with this article are taken from the 4K Blu-ray and are downscaled to 1080p. Therefore, they are not representative of the actual quality of the content that is on the 4K Blu-ray.

3 I: _) B6 H" t7 V3 l+ k- O/ ]) hI don't know precisely what type of color corrections were done on the 4K master before the content was transferred to 4K Blu-ray, but now the overall appearance of the film is extremely close to what I would have expected to see if I were to view a 35mm print of it from MGM's vaults screened at my local theater. No, this does not mean that the technical presentation is immaculate, and I will explain why below, but there is a sea of difference between this presentation and the one we saw on the 4K Blu-ray release of The Good, the Bad and the Ugly.
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The main weakness of the current presentation is the presence of light crushing. It is by no means overwhelming, but there are various areas, both during daylight and darker/nighttime footage, where its presence is easily felt. (You can see obvious examples in screencaptures #6 and 8). Unsurprisingly, some finer nuances are missing and as a result the overall perception of depth is somewhat inconsistent. Furthermore, there are areas of the film where grain exposure isn't optimal, though I wish to make it very clear that I did not see traces of problematic digital work. What is noticeable is essentially what you would observe if a master is struck from an aged interpositive. The rest is either really good or excellent. I feel that in some areas the blues need to be just a tad more prominent, but the overall color temperature of the visuals is very, very nice and, more importantly, convincing. There is one particular sequence where it seems like a bit of posterization is trying to sneak in, but it is just a visual effect that isn't particularly well handled. (See background in screencapture #7). Density levels could be slightly better, but even if you project on a very big screen you will like what you see a lot. On the other hand, the fluidity of the visuals remains very nice throughout the entire film, which is something that surprised me a bit given the grain inconsistencies mentioned above. Image stability is good, but there are a few areas, such as the opening credits, with minor but noticeable shakiness. Finally, I did not encounter any distracting age-related imperfections to report in our review. All in all, I think that this is a very nice presentation of For a Few Dollars More, and if it remains the final presentation of the film on the home video market, I would be perfectly happy with it. (Note: The 4K Blu-ray disc is Region-Free. The Blu-ray copy that is included with it is Region-A "locked").  
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For a Few Dollars More 4K Blu-ray, Audio Quality  


There are two standard audio tracks on this Blu-ray release: English DTS-HD Master Audio 2.0 and English DTS-HD Master Audio 5.1. Optional English SDH subtitles are provided for the main feature. When turned on, they appear inside the image frame.

I did extensive tests with both tracks. To be honest, I like both a lot and might even select the DTS-HD Master Audio 5.1 track as my default option, though, when possible, I typically opt for original audio. Obviously, the original English track features overdubbing which introduces some minor unevenness.  If you enjoy Italian spaghetti westerns and have been buying them on DVD and Blu-ray, you know that this is a common limitation.  There are certain areas where the audio sounds a bit too thin, but it is really difficult to tell if anything could be done to improve it -- or if it is right to want to do so. In other words, regardless of whether you choose the DTS-HD Master Audio 2.0 or DTS-HD Master Audio 5.1 track, you should expect to encounter some standard native limitations. There are no encoding anomalies to report in our review.

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