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◎译 名 攻壳机动队/攻壳机动队真人版
4 A$ T6 i1 A$ |6 ^◎片 名 Ghost in the Shell
3 g }* N5 M1 {" b◎年 代 2017/ H3 K2 `2 U5 X' R! v
◎产 地 美国/印度/中国香港/中国大陆/加拿大, p" y( y& ] G( }8 {% r
◎类 别 动作/科幻/犯罪
6 Y5 @/ E7 X0 p◎语 言 英语/日语% D# p7 Q5 L; R, C2 Y: {
◎上映日期 2017-04-07(中国大陆)/2017-03-29(法国)/2017-03-31(美国)4 H( R" I% V" z
◎IMDb评分 6.3/10 from 212,322 users
) B6 a/ ?2 e9 Z) P# Y$ I% o◎IMDb链接 https://www.imdb.com/title/tt1219827/
# U: q* N3 }7 f" o◎豆瓣评分 6.4/10 from 195,551 users& ^( [1 l5 L7 {, [9 t
◎豆瓣链接 https://movie.douban.com/subject/25818101/
9 h+ F( y& [5 o! `4 A9 G◎文件格式 x264 + TrueHD
% W- i! b& s8 V4 ?7 O% ?3 u◎视频尺寸 1920 x 1080( J* X6 D: P' _3 j* w
◎文件大小 1DVD 40.94 GiB
4 ], X; \& l2 Q; Q. d2 [0 [- g' i◎片 长 1:46:56.701 (h:m:s.ms)! j6 }4 q4 c2 y6 o% Z0 g' Y
◎导 演 鲁伯特·桑德斯 Rupert Sanders
. I3 D" h4 b8 b◎编 剧 士郎正宗 Masamune Shirow
5 N: H" L* P/ R6 G* Q 杰米·莫斯 Jamie Moss
- ~. L4 K7 x- C% I+ e4 a4 z4 R, \0 m 威廉·惠勒 William Wheeler
' |8 I" v, G# R# M6 z7 y8 r 伊伦·克鲁格 Ehren Kruger
4 i m: Q3 ^* X* N# t5 n3 G$ K5 i◎演 员 斯嘉丽·约翰逊 Scarlett Johansson2 Z5 q8 w( F3 h
皮鲁·埃斯贝克 Pilou Asbæk# v) w; W2 t' J2 ^0 H
北野武 Takeshi Kitano0 f7 j% m9 O; }& r7 D* W
朱丽叶·比诺什 Juliette Binoche4 X i/ X6 o* F3 z! ]7 @
迈克尔·皮特 Michael Pitt/ n& e1 t+ J) W' c* q* x- V" T
黄经汉 Chin Han+ Y& g9 X( O3 l! t N
丹妮西娅·萨马尔 Danusia Samal3 _0 O7 h- K+ O9 P% Y- Y9 D, ^; n
拉札勒斯·雷图勒 Lasarus Ratuere
& Q P @4 p' x3 f: Z; x- e 泉原豊 Yutaka Izumihara
7 Y" h/ @5 T8 m 托万达·马尼莫 Tawanda Manyimo
8 Q7 s! C- S0 `" c/ a; K 彼得·费迪南多 Peter Ferdinando
3 ^4 F, l9 h }8 R6 P6 I9 @) h4 p 安娜玛丽亚·玛琳卡 Anamaria Marinca0 y. T( \# H+ h' l
丹尼尔·亨绍尔 Daniel Henshall+ J) c8 k9 N# T5 v+ o( N
安德鲁·斯特林 Andrew Stehlin1 K& f+ D9 p W9 B0 E' ~- f
桃井薰 Kaori Momoi' B7 C/ h. p* w. N* Q/ D. P
查尔斯·欧比 Chris Obi( H6 a* e8 A# O# q$ ?1 h# G
福岛莉拉 Rila Fukushima! g1 f# j6 S5 @+ q3 v
约瑟夫·纳瓦胡 Joseph Naufahu
0 p8 M0 f* U# a- y( k 迈克尔·维克特 Michael Wincott
) j/ }* a! u7 w* p" q) T 狼森 Philippe Joly
& l; A, b5 C) ` 陈永尉 Wing-Wai Chan
# N7 A) G+ w; g( P! o 易宇航 Julian Gaertner
' I; b' `# `& u: A. j: D$ | 张子夫 Pete Teo3 V' \- z3 I# @4 \& }% y* O
温尼·贝内特 Vinnie Bennett
7 y" ~9 D' D' s! q7 q4 Z 莫浩峰 Sebastian Mok
% F1 Z6 |9 ^8 y 伍玉琪 Andrew Ng
* S8 a+ C7 p% k5 O/ L 克林特·曼塞尔 Clint Mansell" {0 m ~% S) \
洛内·巴尔菲 Lorne Balfe
+ T5 U; H7 f. c- }- h2 `! n 阿库什拉-塔拉·库佩 Acushla-Tara Kupe$ [7 D1 m, W' e; ^; l1 g7 M2 L
扬·鲁洛尔夫斯 Jan Roelfs' [& a4 b7 v$ v
马可·伍斯特 Marco Wuest
6 e- @' G- }+ B4 p# b 劳伦·麦卡勒姆 Lauren McCallum
! n8 \" I9 q" O7 I5 Q6 k 洛伊·齐默曼 Loic Zimmermann( W6 E- t; i; M" K
菲利普沃尔夫 Philipp Wolf
' L1 N" X. O( O; |* }; T 约翰·霍华德 John Howard# L0 j0 M0 L+ b3 U
易宇航 Julian Gaertner
/ Y: U/ a3 S. i: O+ F2 S 押井守 Mamoru Oshii
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◎标 签 科幻 | 漫画改编 | 美国 | 动作 | 赛博朋克 | 日本 | 2017 | 犯罪
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! u- D. O! C6 a& c◎简 介 * ^. C" k7 N/ _' w
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近未来,人类的各种器官均可实现移植,一时间机器人、生化人、仿生人充斥世间,与人类真假莫辨。某座繁华都市的大厦内,汉卡公司高管正与非洲来宾洽谈业务,突然宴会变成血腥大屠杀,暴走的机器人大开杀戒。隶属公安九课的米拉·基里安少佐(斯嘉丽·约翰逊 Scarlett Johansson 饰)带领巴特(皮鲁·埃斯贝克 Pilou Asbæk 饰)等手下赶往现场,平息事态。根据对暴走艺伎机器人的调查发现,被称作“久世”的神秘之人策划了这一系列的行动,而且他的目标全部指向了掌握着生化前沿尖端科技的汉卡公司及其研发人员。经过一番凶险的周旋,少佐逐渐逼近真相,同时也渐渐解开了发生在自己身上的惊天秘密……
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8 B, h& K7 G% d) V6 i 本片根据士郎正宗的经典原作改编。
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9 v9 `) i3 F7 u/ t; v6 K# p9 z In the near future, Major Mira Killian is the first of her kind: A human saved from a terrible crash, who is cyber-enhanced to be a perfect soldier devoted to stopping the world's most dangerous criminals.3 @4 i# Y2 K4 G
5 K0 N+ x. k/ G3 e) z# ~2 S- DISC INFO:
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- Disc Title: Ghost.In.The.Shell.2017.1080p.3D.BluRayCD.AVC.TrueHD.7.1.Atmos-FGT$ u9 c' g; q- K
- Disc Size: 43,957,352,448 bytes
5 c' ]) T2 C) Q- k3 x- e - Protection: AACS" A D4 w8 M4 j4 ]
- BD-Java: Yes
2 R5 G0 b5 z: n - Extras: Blu-ray 3D7 T& F1 D1 ^0 [ h! U; e: |
- BDInfo: 0.5.8.4, J7 P7 N' {& J; t( U' L
- $ w1 |6 \, H0 p# w5 n2 f+ \
- PLAYLIST REPORT:
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- Name: 00800.MPLS 6 v( J# i& O) s* b7 l4 Z: G
- Length: 1:46:56.701 (h:m:s.ms), p/ r8 ~2 G" r7 ?
- Size: 43,080,843,264 bytes" @) `+ {. X% E% @9 T
- Total Bitrate: 53.71 Mbps
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- Codec Bitrate Description
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# a! u( K% u4 X - MPEG-4 AVC Video 28195 kbps 1080p / 23.976 fps / 16:9 / High Profile 4.1 /; Q, |4 {' |' ~- n
- MPEG-4 MVC Video 12208 kbps 1080p / 23.976 fps / Multiview Profile 4.1 /
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- AUDIO:/ M0 Q" F5 y5 g# l/ G- t
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- Codec Language Bitrate Description 5 ~5 S, S: @( e
- ----- -------- ------- ----------- 1 C( Z, u! q( g
- Dolby Atmos/TrueHD Audio English 4771 kbps 7.1-Atmos / 48 kHz / 4771 kbps / 24-bit (AC3 Core: 5.1-EX / 48 kHz / 640 kbps)
6 v! ]/ b3 y( F) J+ _; d - Dolby Digital Audio German 640 kbps 5.1 / 48 kHz / 640 kbps
* V/ ^: V$ i4 ^ - Dolby Digital Audio English 640 kbps 5.1 / 48 kHz / 640 kbps8 [! A. \) G# W/ x( Q+ a/ W7 R
- Dolby Digital Audio Spanish 640 kbps 5.1 / 48 kHz / 640 kbps: i' O0 N% p, a/ w D
- Dolby Digital Audio French 640 kbps 5.1 / 48 kHz / 640 kbps
/ U' Z2 P' i$ f0 Q! C h - Dolby Digital Audio Italian 640 kbps 5.1 / 48 kHz / 640 kbps1 t0 y" \5 ~& H' L! p2 [, i: R4 n5 J
- Dolby Digital Audio Japanese 640 kbps 5.1 / 48 kHz / 640 kbps
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0 |; q" P9 k) }1 H- SUBTITLES:- s: I2 N0 h7 y. w! W5 l1 j( g
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- ----- -------- ------- -----------
; ~0 Z% ^ r- m8 R8 s# r7 s; Q - Presentation Graphics Malay 25.861 kbps
9 b0 @9 b& a/ J p6 C- n | - Presentation Graphics Chinese 15.75 kbps ) N- t! |8 k' H. Z1 l" `, f) F
- Presentation Graphics Czech 18.075 kbps
9 A }$ X2 D" C/ \# D' h - Presentation Graphics Danish 20.5 kbps $ g; J1 \. e7 V! m( G" D4 _- Z4 b$ k
- Presentation Graphics German 23.145 kbps 2 K6 B) j+ h$ j! d z
- Presentation Graphics Greek 23.001 kbps 8 V4 _& M0 s/ I, @6 W
- Presentation Graphics English 21.71 kbps
, T5 k' L0 B- U - Presentation Graphics Spanish 21.597 kbps ) d1 N4 H! j( [6 P
- Presentation Graphics Spanish 20.976 kbps 5 k$ q: J( R H! `7 E- D
- Presentation Graphics French 19.069 kbps ( W& c- f9 s/ M7 j& o( }3 W( Y" _
- Presentation Graphics Hebrew 14.506 kbps
2 J" T/ R$ b8 h: H8 ?0 T9 _& J7 s - Presentation Graphics Icelandic 21.646 kbps / k! \+ v2 v n' j$ N, R5 x
- Presentation Graphics Italian 21.472 kbps
2 C! ^% r7 T4 m - Presentation Graphics Japanese 16.792 kbps
9 A5 h% J, I1 i8 Q: |; Z - Presentation Graphics Korean 13.588 kbps 1 \" P/ }1 p* y! ]
- Presentation Graphics Hungarian 20.448 kbps : p+ R) F: q' w: [- K. n9 d. x
- Presentation Graphics Chinese 18.444 kbps
9 F- |) H( u& _- d( }- ^ - Presentation Graphics Dutch 18.47 kbps
% g" Q D' N" x - Presentation Graphics Norwegian 20.425 kbps
2 `; t8 l4 O7 Q - Presentation Graphics Portuguese 19.929 kbps
( E; K7 g2 T2 b% q: _% \ - Presentation Graphics Portuguese 22.113 kbps
) x9 U- d( ?: Y. D3 U* Q0 X - Presentation Graphics Romanian 18.87 kbps
. y1 G, `- M G7 d. S" t/ Y - Presentation Graphics Chinese 18.149 kbps 5 e) m4 @# p1 p& R7 J s* O
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6 I& d: G4 `' A1 j& H - Presentation Graphics Swedish 21.012 kbps
' z7 M0 ]. v6 P- l4 _7 ]+ V - Presentation Graphics Thai 17.248 kbps $ t& X+ ?& ~9 V6 ]; o9 K
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9 f3 }! B/ q; @7 p - Presentation Graphics Ukrainian 21.658 kbps 7 L0 E' e3 w: n4 u4 V8 S
- Presentation Graphics English 27.881 kbps
( V* a. V" N: h9 M+ ?' v9 {; ` - Presentation Graphics Japanese 0.539 kbps
复制代码 Ghost in the Shell 3D Blu-ray, Video Quality , ~4 X9 e9 R- U& K$ k% Q4 Z" z
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$ L1 s' V2 D q" e5 ^& H5 kIt's a shame to see 3D fading away because it's a viable format that's capable of producing some excellent images. Ghost in the Shell is one such release. While it's more depth-happy than it is prone to produce extra-screen content, the material suits the format very well. Things begin strong with the holographic displays floating in front of the doctors' masks and only improve from there. City vistas reveal enticing push far back into the screen as the scale becomes clear, the distance between buildings tangible, and the room between building façades and the huge holographic signs and markings that engulf them is easy to discern. Down on city streets, stretch is fantastic and the transfer finds all sorts of wonderful little environmental nooks and crannies for 3D viewers to explore. While depth is striking, the transfer does offer some sporadic, and welcome, elements that appear to extend out of screen's front. Debris is the big one. Whether small particles or shattering glass seen in slow-motion during the film's first major action scene, smaller details seem to push outward at a noticeable level. Overhead city shots, as opposed to side-view shots, reveal protruding graphics and building tops. There are a number of shots throughout the movie that appear made to take advantage of what the format can offer, and the movie makes for an enjoyable watch to simply soak it all in. Details are perhaps a little flatter here, but those complex city streets and environments still reveal no shortage of impressive texturing. Color remains fairly drained by design, and the image appears a hair darker overall. There are some jagged edges and shimmering lines throughout; straight architectural lines seen right at the beginning of chapter four are a good example. Despite a few little drawbacks, this is a fine 3D watch and, in this reviewer's opinion, the best of the three options. It compliments the movie -- the style, the world, and even the story and themes -- very well.
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Ghost in the Shell 3D Blu-ray, Audio Quality 3 k( l6 D7 f9 Z' V, W. d) ^
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2 o/ i1 R, B3 K# b- u' pGhost in the Shell's Dolby Atmos soundtrack is technically impressive. Only a few instances of lacking gunfire -- particularly near the beginning -- and a relative dearth of obvious overhead components really hold it down. Generally, action scenes, the track's bread-and-butter, hold strong. Gunfire does often present with impressive depth. Bullets whip and zip around the stage, impacting all over the theater and producing a quality sense of immersion into any gun battle. Heavier elements -- a monstrous machine chases down and shoots at the heroes in the third act to impressive depth, movement, and room-filling intensity -- are very strong, punctuated by an explosion near film's end that offers a hefty concussive blast and sends shrapnel and debris all over the listening area. Excursions "inside" the digital world send some powerful, engaging elements flying through the stage, in addition to various haunting effects that linger and spill from all speakers, the sides and above and everywhere in between. All of it enters the listening area with full-bodied presence and is very well imaged. A sequence around the 27-minute mark exemplifies the track's ability to produce pinpoint effects throughout the listening area. The overheads find additional engagement when alarms blare halfway through, and various dense city-level ambient effects or environmental details like seagulls or distant rolling thunder saturate the stage mildly, but convincingly. Dialogue is clear and precise with natural center placement and prioritization.# i! H5 C" ~& D8 w1 D
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