坏蛋联盟/坏家伙/大坏蛋 [4K蓝光原盘] The Bad Guys 2022 2160p BluRaycd HEVC TrueHD 7.1 Atmos-B0MBARDiERS 57.59GB

Mr. Wolf, Mr. Snake, Mr. Piranha, Mr. Shark and Ms. Tarantula hatch a plot to pull off the ultimate heist.


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. E. d$ h; a5 n, A/ Z: `* N◎译　　名　坏蛋联盟/坏家伙/大坏蛋
◎片　　名　The Bad Guys / Bad Guys
◎年　　代　2022
◎产　　地　美国
◎类　　别　喜剧/动画/冒险
◎语　　言　英语
◎上映日期　2022-03-17(阿根廷)/2022-04-22(美国)/2022-04-29(中国大陆)
. \( R$ }" l. A2 o# V6 S◎IMDb评分  6.9/10 from 22,151 users
◎IMDb链接  https://www.imdb.com/title/tt8115900/
◎豆瓣评分　7.3/10 from 98,886 users
◎豆瓣链接　https://movie.douban.com/subject/30165311/
3 J, f3 E/ B" I+ \1 w% O, s◎文件格式　x265 + TrueHD  
◎视频尺寸　3840 x 2160
◎文件大小　1DVD 57.59 GiB
* p0 a2 t/ F, A1 W: R( I% M  `& w◎片　　长　1:40:07.000 (h:m:s.ms)
◎导　　演　彼埃尔·佩里菲尔 Pierre Perifel
0 I$ r- C/ j8 d  D. K. T◎编　　剧　伊坦·柯亨 Etan Cohen
　　　　　  尤尼·布伦纳 Yoni Brenner
1 J0 Z0 R& k9 X! _; w/ g+ }* K1 K/ v( Z% E　　　　　  希拉里·温斯顿 Hilary Winston
: W' U% |+ K' i5 i1 `　　　　　  艾伦·布拉培 Aaron Blabey
◎演　　员　山姆·洛克威尔 Sam Rockwell
　　　　　  马克·马龙 Marc Maron
6 C1 v6 |0 e  k0 F　　　　　  奥卡菲娜 Awkwafina
　　　　　  克雷格·罗宾森 Craig Robinson
　　　　　  安东尼·拉莫斯 Anthony Ramos
6 A3 _# V( E5 v1 |2 w" p, H; ^　　　　　  理查德·艾欧阿德 Richard Ayoade
8 d, p; M  m: }7 `4 s/ U: t+ ^　　　　　  莎姬·贝兹 Zazie Beetz
　　　　　  艾利克斯·布诺斯町 Alex Borstein
; F6 M, [$ O) A2 R* D　　　　　  莉莉·辛格 Lilly Singh
" O4 N& I& J) P  c2 N2 L" Q　　　　　  芭芭拉·古德森 Barbara Goodson
　　　　　  迪娜·莫罗 Dina Morrone  
4 j6 v0 A' W* p2 ^1 Z& ~　　　　　  迈克尔·高德尔 Michael Godere
5 x+ S, s: \  ~5 z9 d' P# r4 r　　　　　  凯莉·库尼 Kelly Cooney
% B. Z4 P8 u7 K0 Y1 `& s$ W　　　　　  沃尔特·道恩 Walt Dohrn
　　　　　  戴维·P·史密斯 David P. Smith
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◎简　　介

　　故事的主角是五个无恶不作的坏蛋——风度翩翩的扒手“大坏狼”、见多识广的保险箱窃贼“贪心蛇”、冷静沉稳的伪装大师“美肚鲨”、暴躁易怒的打手“食人鱼”、伶牙俐齿的黑客专家“骇客蛛”闪亮登场，他们是最臭名昭著的“坏蛋联盟”。他们平时威风八面，四处作案，令人闻风丧胆。直到某一天，他们突然想成为模范公民，然而转型路途甚是艰难，且意外层出不穷，令人啼笑皆非。
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( ]1 B# G7 M* a( U2 u: W- z　　Several reformed yet misunderstood criminal animals attempt to become good, with some disastrous results along the way.
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3. Disc Title:     The.Bad.Guys.2022.2160p.BluRayCD.HEVC.TrueHD.7.1.Atmos-B0MBARDiERS
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4. Disc Size:      61,835,719,275 bytes
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5. Protection:     AACS2
   
6. Extras:         Ultra HD, BD-Java
   
7. BDInfo:         0.7.5.9 (compatible layout created by DVDFab 12.0.7.3)
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12. Length:                 1:40:07.000 (h:m:s.ms)
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13. Size:                   49,074,960,384 bytes
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14. Total Bitrate:          65.36 Mbps
    
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20. MPEG-H HEVC Video       56089 kbps          2160p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / HDR10 / BT.2020
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26. Dolby TrueHD/Atmos Audio        English         3614 kbps       7.1+11 objects / 48 kHz / 3166 kbps / 16-bit (AC3 Core: 5.1 / 48 kHz / 448 kbps)
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27. Dolby Digital Plus Audio        Spanish         768 kbps        7.1 / 48 kHz / 768 kbps (AC3 Core: 5.1 / 48 kHz / 448 kbps ( Core: 5.1 / 48 kHz / 448 kbps))
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28. Dolby Digital Audio             French          640 kbps        5.1 / 48 kHz / 640 kbps
    
29. Dolby Digital Audio             English         192 kbps        2.0 / 48 kHz / 192 kbps
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35. Presentation Graphics           English         57.107 kbps                    
    
36. Presentation Graphics           Spanish         47.727 kbps                    
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37. Presentation Graphics           French          49.09 kbps                     
    
38. Presentation Graphics           Spanish         0.861 kbps                     
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39. Presentation Graphics           French          0.602 kbps

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The Bad Guys 4K Blu-ray, Video Quality   
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The included screenshots are sourced from a 1080p Blu-ray disc.
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' M! ?7 @8 G+ G$ d6 o8 T) MUniversal brings The Bad Guys to the UHD format with a 2160p/HDR UHD presentation. The resolution gain over the 1080p Blu-ray does not make a monumental difference, at least not at a 65" screen size. Viewers would be hard-pressed to find a significant add to sharpness anywhere in the movie. Various A-B comparisons reveal a fairly parallel presentation in terms of visual depth and object clarity and density. Animal fur, environments, and the like all more or less look near identical between the formats. There is no sudden surge in animal fur clarity or gained tactile efficiency on the various urban locales throughout the film. Eagle-eyed viewers may not the odd gain to sharpness -- the bottom of Mr. Shark's shoes in a fleeting shot at the 14:19 mark revealed a hint of added sharpness in one of the many shots I compared, but a casual comparison certainly doesn't reveal anything too noteworthy in terms of major improvements from the resolution, one format to the other.

Most of the gains come by way of the HDR color grading. The colors are significantly deeper overall, with more command and nuance on display. This color grading strengthens the palette with greater tonal clarity and exactness. The Blu-ray has a comparatively light look about it, a certain airiness. The contrast between the two formats can be rather stark, to the point of nearly transforming a scene and offering a completely different tonal quality. Sometimes, the UHD just looks a little darker and firmer, but in most cases the transformation to richer and more brilliantly natural colors is quite stark. While reds, blues, greens, and the like find significant added depth, whites also appear more brilliant and blacks more powerfully rich and pure. Still, there is nothing extraordinary about the presentation, but the content is well served by the color spectrum gains. The movie benefits from the HDR spectrum and it certainly reveals just how light the Blu-ray looks in comparison. This is clearly the better of the two and even without much to say on the resolution front, on the color end this one proves well worth the upgrade cost.

; x3 [8 r7 [5 S8 Y; j3 e) eThe Bad Guys 4K Blu-ray, Audio Quality   


The Dolby Atmos soundtrack is not raucous, but it is resplendent. The track finds harmonious balance between sonic intensity and engagement and a natural feel and flow through all sonic elements, from the most aggressive action and musical elements to the finest in subtle musical arrangements and ambient effects. Of course, it is in those higher energy moments where the track really shines for overall fun. Music soars with first-rate clarity and impressive spacing around the entirety of the listening area, including, even, a positive, but not overbearing, top end extension. Action effects offer excellent placement and stage traversal alike with impressive volume, all the while holding to faultless clarity. Support ambience in various interior and exterior venues featuring various crowd density elements with a clear need for spatial engagement are very impressive. The overheads are used for several discrete effects, perhaps most notably when Professor Marmalade's voice reverberates around the top end in the 32-minute mark. Dialogue in general is clear and center oriented otherwise.
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