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" p& `1 r- v* v& I◎译 名 猜火车2/迷幻列车2(港)* Q8 J" b% B3 Y, o" |! t( T
◎片 名 T2 Trainspotting / Trainspotting 2 / Porno / T2:Trainspotting
' [6 |5 D$ H; t, `4 r; X◎年 代 2017% K( l3 ?2 ~' \: U% |" ?
◎产 地 英国# A1 v: a$ g3 h- O8 v) [
◎类 别 剧情/犯罪1 h( P# s$ R# {! R( @2 H+ ?
◎语 言 英语/保加利亚语/苏格兰语
- `& L; D8 T2 Y/ C. j. |◎上映日期 2017-01-27(英国)
* M- j8 c( `" x, p◎IMDb评分 7.2/10 from 128,333 users
: L/ d+ i! b' T, n◎IMDb链接 https://www.imdb.com/title/tt2763304/- }1 J; F/ [9 S) s; g0 F
◎豆瓣评分 8.0/10 from 82,901 users
6 V" x( j0 H5 Y4 J& n◎豆瓣链接 https://movie.douban.com/subject/22263645/
( b+ e4 `+ E( | _( o q◎文件格式 x265 + TrueHD/ j/ ?0 X4 t9 p r4 \$ M$ Q5 o
◎视频尺寸 3840 x 2160
: Q/ S0 J% ]4 b# B+ [& Z, C; y% y& h/ h◎文件大小 1DVD 58.52 GiB
$ c! V) d2 W2 E* h6 y! L◎片 长 1:57:24.036 (h:m:s.ms)
s+ x0 C) [9 t1 J◎导 演 丹尼·博伊尔 Danny Boyle# u0 |" o& h/ l6 E: m3 g4 B
◎编 剧 约翰·霍奇 John Hodge% t: ~/ D. e( X, A7 _% O$ q3 r
埃文·威尔什 Irvine Welsh
9 P$ h, p/ b5 @8 p◎演 员 伊万·麦克格雷格 Ewan McGregor# Q8 z& ~9 } N& `
约翰尼·李·米勒 Jonny Lee Miller
+ l, L4 f$ B/ z, B" l: ^+ @5 ] 罗伯特·卡莱尔 Robert Carlyle
! O6 S o8 U% M8 @! z& X 艾文·布莱纳 Ewen Bremner/ U5 K- u( ~& y/ z7 Q' i$ @
雪莉·亨德森 Shirley Henderson( B1 L, [2 W2 K* k3 u# j. F8 B
安杰拉·奈迪亚科娃 Anjela Nedyalkova0 u9 ^$ K) f3 @- Z% L u5 S
史蒂文·罗伯特森 Steven Robertson! a/ q1 J% I. Y* h: X
戈登·肯尼迪 Gordon Kennedy
; p$ N% h; [- R; \6 b3 f4 J 西蒙·韦尔 Simon Weir
* |8 s$ M' v$ B4 c( X 詹姆斯·科兹莫 James Cosmo
; L# W, U- A# G) I z% `7 t# E 梁佩诗 Katie Leung' e2 M6 E3 x- ?) y6 V" }
阿塔·雅谷伯 Atta Yaqub' X& J2 g+ ~: o6 L3 q) r. h9 s
埃文·威尔什 Irvine Welsh
# ~2 R( Y( K$ X! m& ^* y/ @0 u 凯莉·麦克唐纳 Kelly Macdonald
" |, O( D' X/ s! h 艾琳·尼古拉斯 Eileen Nicholas
( ^+ U! B) |0 L9 ^8 F& r- B 凯文·麦克基德 Kevin McKidd
7 n) z0 a( ?# _5 ^& t) j5 e8 f 艾米·曼森 Amy Manson
2 s6 I% R) y: B/ Y8 [3 o+ c 波林·林奇 Pauline Lynch
$ F/ V# C' G( g2 J6 S3 w+ s 特丽莎·达斯科娃 Tereza Duskova
/ a1 |8 a0 k0 I( ` 斯考特·格瑞南 Scot Greenan2 D: P$ m1 B# ~9 { V
约翰·贝尔 John Bell
: R4 r& n# h, d" V! Z# ]" g% I: I 伊莱亚·沃尔夫 Elijah Wolf
" d* c5 ]+ q" \3 \) l* s2 w6 I/ z 宝琳·特纳 Pauline Turner
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! R3 Z \5 G4 v# N4 ]! o3 F◎简 介 2 l2 D+ m) Q( F
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一晃眼二十年过去。远赴他乡的雷登(伊万·麦克格雷格 Ewan McGregor 饰)再度踏上了爱丁堡的故土。哪知道刚一回来,就撞上了走投无路陷入绝望之中的屎霸(艾文·布莱纳 Ewen Bremner 饰)试图自杀,原来,屎霸不仅婚姻失败还再度染上了毒瘾。在雷登的鼓励下,屎霸决定用书写来治愈内心的伤痕。
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之后,雷登找到了曾经的挚友病孩(约翰·李·米勒 Jonny Lee Miller 饰),病孩因为曾经的龃龉痛揍了雷登,之后,一个复仇的计划在他心中慢慢成型。在病孩的邀请下,雷登决定和病孩合伙开一家妓院,之后,擅长设计的屎霸亦加入了进来。那边厢,锒铛入狱的贝格比(罗伯特·卡莱尔 Robert Carlyle 饰)越狱成功,在了解了当年事件的真相后,他亦决定找到雷顿向他寻仇。
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After 20 years abroad, Mark Renton returns to Scotland and reunites with his old friends Sick Boy, Spud, and Begbie.
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- DISC INFO:
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# B0 b9 } R( S+ E- Disc Title: T2.Trainspotting.2017.2160p.BluRayCD.HEVC.TrueHD.7.1.Atmos-SUPERSIZE
. Z' F. @. S/ {0 V4 b! c" R - Disc Size: 62,836,292,334 bytes- M4 T) x/ W! V) e9 `
- Protection: AACS2" J4 V7 _+ Z( q
- BD-Java: Yes% E, s1 G/ S; \7 v2 P. l/ v
- Extras: Ultra HD
6 F. T3 C" ^+ i: ]: U& o1 _$ i - BDInfo: 0.5.8.7 (compatible layout created by DVDFab 10.0.6.3)& \% A( Z# P5 Y$ S8 z
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U1 l( s$ }* w - Length: 1:57:24.036 (h:m:s.ms)3 ]: |+ p% K$ ?* o& d6 e+ B: h
- Size: 62,152,157,184 bytes9 }8 ]& V3 P- A9 B& Y9 R! g8 g
- Total Bitrate: 70.59 Mbps
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$ R4 k0 D$ k8 O: n) j2 f9 c; k7 f- Video:
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- AUDIO:
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' u$ Y& `! @+ F6 H, D - Dolby Atmos/TrueHD Audio English 5099 kbps 7.1-Atmos / 48 kHz / 5099 kbps / 24-bit (AC3 Core: 5.1 / 48 kHz / 640 kbps)
t0 u4 d& v3 q - Dolby Digital Audio English 640 kbps 5.1 / 48 kHz / 640 kbps
; V6 x+ }9 L3 t) ` - Dolby Digital Audio English 640 kbps 5.1 / 48 kHz / 640 kbps
9 ~) m# z2 N; y; w - Dolby Digital Audio Czech 640 kbps 5.1 / 48 kHz / 640 kbps0 N& V& A/ K, V' V8 _
- Dolby Digital Audio French 640 kbps 5.1 / 48 kHz / 640 kbps( O9 D9 B! y; W/ R! l7 L% d+ a0 U
- Dolby Digital Audio French 640 kbps 5.1 / 48 kHz / 640 kbps' Z" r/ q+ ]7 h6 [: O- Y9 l( t
- Dolby Digital Audio German 640 kbps 5.1 / 48 kHz / 640 kbps
6 @ l' Y/ d) W1 O' t6 x8 y - Dolby Digital Audio Hungarian 640 kbps 5.1 / 48 kHz / 640 kbps& w2 I! D" [$ s7 y- m; [5 R* [
- Dolby Digital Audio Italian 640 kbps 5.1 / 48 kHz / 640 kbps% ?9 k1 }9 C( l
- Dolby Digital Audio Japanese 640 kbps 5.1 / 48 kHz / 640 kbps
$ K1 N1 ?: @& O' J$ q9 R - Dolby Digital Audio Polish 640 kbps 5.1 / 48 kHz / 640 kbps' H) E$ O7 X4 b7 O
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- Dolby Digital Audio Russian 640 kbps 5.1 / 48 kHz / 640 kbps
: s, t; i( U- R/ @7 @ - Dolby Digital Audio Spanish 640 kbps 5.1 / 48 kHz / 640 kbps
* }7 Q6 w0 ~/ J - Dolby Digital Audio Thai 640 kbps 5.1 / 48 kHz / 640 kbps
% g- ~9 }# [) _( q& j2 q7 P+ r - Dolby Digital Audio Turkish 640 kbps 5.1 / 48 kHz / 640 kbps
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' \. x( N3 s8 j7 y; o8 r3 Y - Presentation Graphics English 53.465 kbps 5 p) y0 _/ g2 ?' B: u0 l
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" l+ v- v# x6 P7 R4 i. m! E - Presentation Graphics Chinese 27.643 kbps ; C& r. A$ ~% w& B& [8 @1 k' S' Q
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: Y3 i! @" y n! z' O9 R! K - Presentation Graphics Chinese 27.19 kbps * c- e& F v6 L' O0 m
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- Presentation Graphics Dutch 32.754 kbps
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) `, T. G; x7 {3 K" y% s, ` - Presentation Graphics Finnish 32.947 kbps 5 ]* u5 u# t- D. N
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- Presentation Graphics Portuguese 37.682 kbps
J, N' g0 L$ E' h, V G9 h5 u$ R - Presentation Graphics Romanian 36.2 kbps 8 v+ O+ L4 K6 k$ L* G, @
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复制代码 T2: Trainspotting 4K Blu-ray, Video Quality # L, s' }" {) ^. @- e
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Note: The included screenshots are sourced from a 1080p Blu-ray disc. Watch for 4K screenshots at a later date.
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T2 Trainspotting is presented on 4K UHD courtesy of Sony Pictures Home Entertainment with a 2160p transfer in 1.85:1. As I outlined in our T2 Trainspotting Blu-ray review, the film was shot utilizing different Arri Alexa models at what I have to assume were variant source resolutions, but Boyle and cinematographer Anthony Dod Mantle also include a number of other source elements, including film, something that, along with whatever resolution differences of the digital capture there were, gave the 1080p presentation a rather heteregeneous look, something that is arguably only increased here. There's much more visible "fuzziness" in some of the supposed home movies (I guess which are supposed to be either 16mm or maybe even 8mm), for example. The film was finished at a 2K DI, and there are the expected upticks in sometimes subtle fine detail like the rough plaster on a hotel room wall Mark checks into or the stubble on Sick Boy's face. Some of the biggest changes come courtesy of HDR, though, with Boyle's stylistic proclivities getting a fuller and more nuanced accounting in terms of both general palette and especially some of the grading choices. There are some rather interesting differences between this presentation and the 1080p Blu-ray version, including things like a cooler purple tone in the late nightclub sequence where the final showdown gets underway. What this 4K UHD presentation alerted me most to, however, is how intentionally Boyle and his team have tweaked the imagery in a number of scenes, something which wasn't quite so apparent in the 1080p version. For instance, some of what I attributed to being video noise in the Blu-ray version now looks to me more like deliberate digital alteration, with a "distressed" look that includes some admittedly pretty noisy looking effects like digital grain (just to be clear, there are other moments that do in fact have noise). That said, there are a number of strange anomalies which were present for me, and which may cause some to downgrade their own personal scores for the presentation. Along with the sometimes swarming noise in some scenes, there were recurrent if often slight and transitory issues with horizontal bands running through certain scenes. It wasn't "banding" in the traditional sense in that gradations of light had nothing to do with it, but there were clear delineations of dark and light stripes that intruded occasionally.3 y+ L( N3 q- h; S9 a2 M
3 P, E% x' D. a( u DT2: Trainspotting 4K Blu-ray, Audio Quality ^/ O$ `, B# f$ E7 J) g
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& i& h; u- a& M! iThere's really only one sensible response to T2 Trainspotting's Dolby Atmos track: surrender. I noted that the Blu-ray's DTS-HD Master Audio 5.1 track was boisterous and exciting, but (to me, anyway) kind of overpowering at times. Well, as might be expected, there's no "kind of overpowering" with regard to the Atmos track: it is overpowering, from the first notes of the song accompanying Mark on his treadmill, through the often nonstop use of source cues, to some of the fight scenes, to some fun midair effects (including Mark's fall off the treadmill). There is simply an onslaught of activity here that will pretty much subdue any ordinary listener, and the use of things like scenes in nightclubs only offers more opportunity for both thumping LFE and near constant surround activity. Perhaps surprisingly, dialogue is rarely if ever buried even in the noisiest environments, and those equipped with receivers able to decode Atmos will have a new reference quality audio experience to share with other amazed audiophiles.
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