一个明星的诞生/星海浮沉录 [蓝光原盘] A Star is Born 1954 1080p BluRaycd VC-1 DTS-HD MA 5.1-FGT 35.60GB

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◎译　　名　一个明星的诞生/星海浮沉录
2 h- e4 g, e( N$ \! T◎片　　名　A Star Is Born
+ V7 g$ b$ J% b5 F1 L' S' T◎年　　代　1954
7 M- c( ^1 P3 g& G8 X: W! f◎国　　家　美国
+ X# [5 E( g7 ~5 h* C6 A6 z◎类　　别　剧情/爱情/歌舞
◎语　　言　英语
' L9 E8 ^) d- U◎上映日期　1954-10-16
◎IMDb评分  7.8/10 from 12,920 users
◎IMDb链接  https://www.imdb.com/title/tt0047522/
◎豆瓣评分　7.8/10 from 968 users
1 K% W3 @: \3 e( ]( I' j◎豆瓣链接　https://movie.douban.com/subject/1295619/
◎文件格式　x264 + DTS
◎视频尺寸　1920 x 1080
8 a1 P/ z3 N( {3 W, D+ x5 B◎文件大小　1DVD 35.60 GiB
' W( Z! A, x& [& G◎片　　长　2:56:17.608 (h:m:s.ms)
# S& {+ ^4 C2 v◎导　　演　乔治·库克 George Cukor
9 W' N& z1 x9 P9 h( G8 \◎编　　剧　莫斯·哈特 Moss Hart
◎主　　演　朱迪·加兰 Judy Garland
　　　　　  詹姆斯·梅森 James Mason
　　　　　  杰克·卡森 Jack Carson
/ u9 i* c6 |* t5 G. ^　　　　　  查尔斯·比克福德 Charles Bickford
- H- f# q0 j, {9 i% J3 `' W0 R　　　　　  托米·努南 Tommy Noonan

2 o0 h; V- c6 _# ?* ^8 _◎简　　介     

　　A film star helps a young singer and actress find fame, even as age and alcoholism send his own career on a downward spiral.

- D* W) F; F+ P2 g 　　埃斯特·布洛杰特是好莱坞一个很有发展前途的演员，她在正走下坡路的大明星诺曼·梅因举办的一次慈善募捐演出中崭露头角，很快就爱上了这个年长且深于世故的人。而诺曼也为她的天真活泼所深深吸引。诺曼为埃斯特创造了几次演出的机会使她一举成名，他们两人遂结成佳偶。埃斯特由于天赋极高，事业上的声望与日俱增，但这使得每况愈下的诺曼深感沮丧。后来他酗酒、脾气暴躁。埃斯特被生活中两种强烈的爱、即对丈夫的爱和对事业的爱所折磨着。在一个描写这两种爱的歌舞节目中，埃斯特怀着两种矛盾的爱又唱又跳，她用《出生在箱子里》来表达她早年渴望成名的野心和命中注定的经历，而她表演的《离去的人》，则使诺曼终于完全理解了妻子的伟大的公众拥有这样一位明星的权利。可是，若没有埃斯特的经常陪伴，他又无法生活下去，最后只好以自杀结束生命。埃斯特在哀痛中继续演出，并以自己的歌声来永恒地纪念她的丈夫。

◎获奖情况

　　第27届奥斯卡金像奖 (1955)
　　最佳男主角(提名) 詹姆斯·梅森
　　最佳女主角(提名) 朱迪·加兰
0 M; M& J8 J. V; u　　彩色片最佳艺术指导和布景(提名) Irene Sharaff / 吉恩·艾伦 / Malcolm C. Bert / George James Hopkins
$ T- y, T- A5 a5 P. Y6 z　　彩色片最佳服装设计(提名) Irene Sharaff / Mary Ann Nyberg / Jean Louis
- ]8 R* }; Z0 S- E9 u　　歌舞片最佳配乐(提名) Ray Heindorf
　　最佳原创歌曲(提名) 哈罗德·阿伦 / Ira Gershwin
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1. DISC INFO:
   
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3. Disc Title:     A.Star.is.Born.1954.1080p.BluRayCD.VC-1.DTS-HD.MA.5.1-FGT
   
4. Disc Size:      38,256,761,048 bytes
   
5. Protection:     AACS
   
6. BD-Java:        No
   
7. BDInfo:         0.5.8
   
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9. PLAYLIST REPORT:
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11. Name:                   00100.MPLS
    
12. Length:                 2:56:17.608 (h:m:s.ms)
    
13. Size:                   38,102,986,752 bytes
    
14. Total Bitrate:          28.82 Mbps
    
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20. VC-1 Video              22939 kbps          1080p / 23.976 fps / 16:9 / Advanced Profile 3
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26. DTS-HD Master Audio             English         3820 kbps       5.1 / 48 kHz / 3820 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
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27. Dolby Digital Audio             French          192 kbps        2.0 / 48 kHz / 192 kbps / DN -4dB / Dolby Surround
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28. Dolby Digital Audio             Spanish         192 kbps        1.0 / 48 kHz / 192 kbps / DN -4dB
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34. Presentation Graphics           English         36.612 kbps                     
    
35. Presentation Graphics           French          24.212 kbps                     
    
36. Presentation Graphics           Spanish         32.010 kbps

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A Star Is Born Blu-ray, Video Quality
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Despite the flak Warner receives in some message board circles -- much of which involves broad, hyperbolic criticism stemming from the sheer volume of catalog titles the studio releases and the countless variables associated with each one rather than some nefarious disregard for the films involved, general laziness, or a perpetual oversight -- the quality of its treasured masterpieces and old-Hollywood classics rarely disappoint.  A Star is Born has been born anew for its Blu-ray debut, arriving with a bold, decidedly impressive 1080p/VC-1 transfer derived from a snazzy 6K scan and a meticulous, five-month digital restoration.  Moreover, WB Motion Picture Imaging colorist Janet Wilson was committed  to staying as close to the filmmakers' original intent as possible, retiming and color-correcting each shot accordingly.  The results speak for themselves.  Splashes of red pop, dazzling blue dresses shine, and black levels are well-resolved.  Likewise, skintones never appear flushed or washed out, embracing the warm, rosy-cheeked hues of the era without indulging in '50s cine-pomp.  Contrast is vibrant and stable, the film's grain field is intact, bothersome ringing and smearing are nowhere to be found, and both definition and fine detail are noteworthy.  That's not to say the picture is razor sharp from beginning to end though.  On the contrary, several scenes are downright soft, overall clarity is uneven, and other inherent limitations make their presence known.  But for a fifty-six year old film, particularly one plagued by severely degraded source elements and a troubled history, the presentation is incredibly faithful, sometimes to a fault.  Better still, the technical transfer is clean and proficient.  I didn't notice any significant artifacting, banding, or digital noise, and the print isn't haunted by any unreasonable blemishes.

  Q: O* B7 Q, z; bMy one nitpick involves the film's framing.  A quick comparison between Warner's new 2.55:1 transfer and its DVD counterpart (initially released in 2000 and reissued as a Collector's Edition in 2001) reveals a number of interesting, albeit admittedly minor discrepancies.  In some scenes, the far left and right edges of the Blu-ray transfer retain more of the film's original image; in other cases, slightly less.  But the differences are so negligible -- a sliced sliver of shadow here, a trimmed haircut there -- that I would have never noticed had a forum member not suggested I compare the two.  It's also worth noting that the culprit is most likely necessity; perhaps even a small concession made during the restoration process.  Regardless, A Star is Born joins a growing collection of high-quality catalog classics that have been remastered, restored, and resurrected from an untimely grave.  

7 Y3 `9 T/ G6 L3 S* tA Star Is Born Blu-ray, Audio Quality
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Star's DTS-HD Master Audio 5.1 surround track isn't going to attract as much praise as its video transfer, but it still stacks up well against lossless remixes featured on other high-quality catalog releases.  Because the film's original four-track stereo mag master was erased nearly fifty years ago, Warner had to rely on several sources to compile a new mix: three mag-striped release prints (one owned by the studio, the other two in storage at the Library of Congress), a 4-track stereo music and effects track from France, and isolated vocal units of Gardland's performances, her choral accompaniment, and the film's complete orchestral scoring sessions.  Surprisingly, the end result doesn't sound nearly as inconsistent as it could.  Dialogue remains clean and clear throughout (a handful of muffled lines being the lone exception), both the score and the musical numbers are full and boisterous, and sound effects, though a tad pinched, have weathered the decades well.  I did find myself bumping my receiver's volume up and down more often than I would have preferred, but it's difficult to get too worked up after learning how many elements were required to create a functional track.  LFE output is thin (albeit within reason for a fifty-six year old film), the rear speakers are tasked with little more than instrumental support (meaning purists will cheer the tenor of the mix while modern filmfans will shrug their shoulders), and many a scene sounds older than it looks.  Even so, Warner's restorative efforts are commendable.  Cinefiles armed with appropriate expectations will relish the whole of the experience and easily shrug off the majority of intrinsic shortcomings they encounter.  

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