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◎译 名 美国制造
" ~# _$ b$ `- m! H2 g2 G- L◎片 名 Made in U.S.A.8 u, z: J9 j8 P
◎年 代 1966
9 D/ U6 U- |5 E$ E$ t8 d+ T◎产 地 法国7 I9 Y1 V3 \/ j- g: ]
◎类 别 悬疑/犯罪9 z' u: b, y- j5 ^2 q
◎语 言 法语/英语+ ~' ]- F# e) l0 o a9 D
◎上映日期 1966-12-031 y* J% {5 U1 ]5 J, L! ~. `
◎IMDb评分 6.3/10 from 4,023 users
0 I* y+ `1 f# y: H( N◎IMDb链接 https://www.imdb.com/title/tt0060647/" B+ _+ W# d J
◎豆瓣评分 6.9/10 from 2,280 users) e/ l1 O* L8 P; Q4 e0 A. i
◎豆瓣链接 https://movie.douban.com/subject/1304741/$ g% _7 x- \' N
◎片 长 1 h 24 min
2 K7 ]; R& ~8 ]# Y◎导 演 让-吕克·戈达尔 Jean-Luc Godard
" K& Z4 `2 e1 h( {8 j- [◎编 剧 唐纳德·维斯雷克 Donald E. Westlake
* p! m% u) R2 [8 l- j3 W 让-吕克·戈达尔 Jean-Luc Godard
3 ? V8 R8 X; _◎演 员 安娜·卡里娜 Anna Karina (id:1049938)* ]1 y) R) C- H
拉斯洛·绍博 László Szabó (id:1003525), N- l% @ A- G& c, a4 n
让-皮埃尔·利奥德 Jean-Pierre Léaud (id:1022553)
l: [% R1 m n% J d8 P% z 玛丽安娜·菲斯福尔 Marianne Faithfull (id:1014124)
% P5 D+ u8 M6 a4 E9 x# j 伊夫·阿封索 Yves Afonso (id:1056440)
! L* ?) |& [4 V3 R5 w3 _* ]$ k 让-吕克·戈达尔 Jean-Luc Godard (id:1055489)
, u. Z- U! B1 V/ \- ` 让-克劳德·布永 Jean-Claude Bouillon (id:1061590)9 ^# p, _ A. C g+ V
Rémo Forlani Rémo Forlani (id:1008524)' f! {2 d! }& U. ~$ z! k% h
菲利普·拉布罗 Philippe Labro (id:1051035)' G0 ~, u6 d- [* Q
乔治·德·包瑞德 Georges de Beauregard (id:1017074)5 v/ J T( N8 `' u! o' r
拉乌尔·库塔尔 Raoul Coutard (id:1050746)
- a" k" G+ ?2 @ i9 n 夏尔·L·比奇 Charles L. Bitsch (id:1048982)9 ~% B$ C8 ]. M! h& A
让-皮埃尔·利奥德 Jean-Pierre Léaud (id:1022553)3 p/ v/ l* R. Y4 [5 U7 o
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◎简 介
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5 g* N5 n5 L/ n- O. X0 M, e 记者保拉为了追求杀害男友里沙尔的真正凶手，来到了亚特兰提克城，这是一个深受美国文化影响的地方，之后出现了一大堆像唐纳德、里查德、维德马克、多丽斯.沟口……有着怪名字的怪人。保拉在追寻真相的过程中，还卷入了政治阴谋和黑帮事件中。 @/ w4 ~4 b, D; A, w
/ @$ Q& i9 @; ]5 Y' L, I 法国新浪潮电影大师戈达尔把美国好莱坞黑帮电影的所有元素用在这部非常刻意的政治恐怖片中，明显向该类型的大师萨缪尔?富勒、尼古拉斯?雷、霍华德?霍克斯等做了模仿式的致敬，片中还涉及许多真实的政治背景和暗杀事件。整部影片虽然显得情节荒唐，较为做作，但导演通过流行音乐（其中一首是《北非碟影》中的“时光流逝”）、广告插画、气氛处理等方法展现深受美国流行文化影响和主导下的法国社会景象。以《美国制造》为标志，戈达尔的政治批判意识进入其后期阶段。他将电影的叙事惯例当作现实政治在电影艺术门类中的主要表现而加以痛烈的反对。为此，他对电影的表现手段进行了极富挑战性的探索。
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In the near future, leftist writer Paula goes from Paris to the French town of Atlantic-Cité when she learns of the death of a former colleague and lover, Richard P. Is she there to investigate? On the surface, faces are beautiful, colors bright, clothes trendy. Beneath, little is clear: some talk to Paula as if she's Alice in Wonderland, corpses pile up, and ideological struggles insert themselves. A murder victim's nephew and a political party's hired hands hover around Paula. Is obscuring things her goal or is it life that's obscure?Video' ?* I0 C G( X+ I0 s
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