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A former police detective juggles wrestling with his personal demons and becoming obsessed with a hauntingly beautiful woman.
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, j$ A6 K3 g, |" b! {% n8 M- y◎译 名 迷魂记/眩晕
% h+ }2 d* o/ v; D( ?◎片 名 Vertigo / Alfred Hitchcock's Vertigo1 e0 [3 ^- f: ?# C( A
◎年 代 1958
7 O+ u, @, \9 T' c4 K◎产 地 美国: p( j. j* y: U
◎类 别 爱情/悬疑/惊悚
" T" L2 }( J, `0 a◎语 言 英语% ?( D" y. x6 w0 w" ], o1 r
◎上映日期 1958-05-09(美国)
6 L/ _* s% c( H# ~% x5 q◎IMDb评分 8.3/10 from 364,131 users( ]8 x; ?1 \/ ~7 v. R
◎IMDb链接 https://www.imdb.com/title/tt0052357/1 @/ x; \9 I- P& I9 A3 L
◎豆瓣评分 8.6/10 from 85,446 users) _1 {4 |; r/ t) n
◎豆瓣链接 https://movie.douban.com/subject/1297294/
3 }: ^' r, }; N. e) [, X: o9 x" s◎文件格式 x265 + DTS % n" h# p3 T- N5 A1 Q
◎视频尺寸 3840 x 2160
3 Z- [* w- n) T# j% W+ h" Q◎文件大小 1DVD 91.89 GiB
! f+ P3 B9 j3 x+ C( w◎片 长 2:08:27.699 (h:m:s.ms)
7 p8 u1 }/ O4 w8 N! g2 X' p◎导 演 阿尔弗雷德·希区柯克 Alfred Hitchcock) } [: o, u. c+ \2 p4 n
◎编 剧 亚历克·科佩尔 Alec Coppel
* `! J' G% O" A M 萨缪尔·A·泰勒 Samuel A. Taylor
- G3 x$ m a0 T. q- R. { 皮埃尔·布瓦洛 Pierre Boileau
[+ B$ I) ~' f; K1 U 托马·纳西雅克 Thomas Narcejac
% N0 Q0 @ O4 J8 Y& x3 x 马克斯韦尔·安德森 Maxwell Anderson# d7 |1 R, I0 H8 A0 g2 T, J/ r3 L
◎主 演 詹姆斯·斯图尔特 James Stewart2 c( V. F) G/ M: i
金·诺瓦克 Kim Novak
( `" I! l; G* v6 T$ W 芭芭拉·贝尔·戈迪斯 Barbara Bel Geddes! `8 W# p7 S; D' A! ^+ ^5 [
汤姆·赫尔莫 Tom Helmore( P. }" a! f; J( Z2 @& \
亨瑞·琼斯 Henry Jones- e' l1 o+ q4 p
雷蒙德贝利 Raymond Bailey
/ n2 _8 y3 z6 i. P$ g, ~ 埃伦·科比 Ellen Corby2 Z; R" i) v: S9 F0 y3 q0 l1 }. |
康斯坦丁·肖恩 Konstantin Shayne" f3 o M5 o# p) V# |
李·帕特里克 Lee Patrick8 J" }+ z* D% q( u' y% e0 G( ^; x
丹尼·鲍沙其 Danny Borzage
# Z% K" L2 A# U& t- \6 Q+ } 保罗·布亚尔 Paul Bryar
9 ]8 h' k- M5 a5 F- ]- A 贝丝·弗劳尔斯 Bess Flowers
4 |# u' v; T' p9 t( k 弗莱德·格兰姆 Fred Graham- ?0 M0 K0 k# m) M% A+ B8 d1 R
阿尔弗雷德·希区柯克 Alfred Hitchcock
/ Z- G. j7 K+ H& i } Nina Shipman) e# k5 R) S. s. e! w$ u
Steve Conte: `/ T: y( E+ I ` B
杰弗里·塞尔 Jeffrey Sayre1 v2 e( Z* Q: |& H" | Y3 ?
John Benson
1 Y- O: B+ } O Buck Harrington! Y6 J1 M: Y% w# ^3 ^2 A8 a
James W. Horan
! [2 {9 y/ z" T ]% G' F Art Howard
( c6 ~) ?3 o; M4 q; L/ E June Jocelyn& q; Z7 q$ \! y; n
Perk Lazelle' X" l; c! c/ x* f9 k" O8 y: ~
Lyle Moraine
& B7 T1 V! }0 p2 D( s! O, ] Forbes Murray
$ r5 k( v# l7 [1 s+ T Julian Petruzzi5 F2 f& y) ]2 R+ g. y
Ezelle Poule
3 Y" G4 ~8 W6 t4 n4 E Sara Taft" a% z3 k9 Z8 N2 L' n' s; v) d, ~
Joe Garcio
. G: V( s# {! M: n& [4 M: u Molly Dodd& M% C' E( n# j- N* ?
Isabel Analla0 J: K5 ]# A+ q/ k
Margaret Brayton% T, ~- w9 ]" j; e9 k
Boyd Cabeen
5 N: Q" `5 r- u# n, e% ^% |- ^ Jean Corbett k* k5 A- d R! `4 J( s0 w- `
0 {% O, P: i2 U◎标 签 希区柯克 | 悬疑 | 美国 | 惊悚 | 经典 | AlfredHitchcock | 1958 | 美国电影
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! ?0 @# o8 I8 }◎简 介
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退役警探约翰·弗格森(詹姆斯·斯图尔特 James Stewart 饰)的同学加文·埃尔斯特(汤姆·赫尔莫 Tom Helmore 饰)是造船商。他请求约翰跟踪自己的妻子,并称妻子经常被鬼魂附身。随后,约翰按照加文的指示,在厄尼餐厅见到了一位美丽的女人(金姆·诺瓦克 Kim Novak 饰)。经过跟踪,约翰发现女人确有不同寻常的行为:开车出门,去花店买花,去墓园在卡洛塔·巴尔德斯的碑前驻足,去荣勋宫博物馆凝视卡洛塔画像,最后进入麦基屈克旅馆并出现在二楼的一扇窗前。约翰随即进入旅馆调查,发现女人登记名为卡洛塔·巴尔德斯,但其房中无人。卡洛塔·巴尔德斯究竟是何方神圣,鬼魂真的能附身活人吗?
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A retired San Francisco detective suffering from acrophobia investigates the strange activities of an old friend's much-younger wife, all the while becoming dangerously obsessed with her.2 e, D$ [% r0 R! k
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◎获奖情况
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第31届奥斯卡金像奖 (1959)# H/ {0 F: A5 o& W# O: T
最佳音响(提名) GeorgeDutton& E j, T7 c. H8 b, l# r. V# \
最佳艺术指导和布景(提名) 萨姆·库默 / FrankR.McKelvy / 亨利·巴姆斯泰德 / 哈尔·佩雷拉
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9 |. G7 z% P8 C1 `. n- DISC INFO:
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- Disc Title: Vertigo.1958.2160p.BluRayCD.HEVC.DTS-X.7.1-PRECELL
- `0 |- e8 ^# x0 _& v) B: [ - Disc Size: 98,662,688,730 bytes
! \, Q* n# ]6 J c - Protection: AACS2
; \; j% J9 Y! X% `1 Q5 I6 f' s4 N - Extras: Ultra HD, BD-Java5 I" }/ o. l* w) _" X3 {5 q
- BDInfo: 0.7.5.9 (compatible layout created by DVDFab 11.1.0.6)4 P% p* h7 E; {' m! X
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- PLAYLIST REPORT:$ g+ h% }. P% F& ~/ l
+ ]$ ?! N! W; _# O6 [! G2 E- Name: 00800.MPLS ! B; ~ X2 w! u! B
- Length: 2:08:27.699 (h:m:s.ms)" i4 I, S( c3 X% v
- Size: 90,233,978,880 bytes
4 K* O; i9 B2 S1 \/ S$ w H - Total Bitrate: 93.66 Mbps$ N. g) _& p5 N9 n
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- ----- ------- ----------- " ^; H0 c1 R6 M+ e' j3 [3 t
- MPEG-H HEVC Video 79793 kbps 2160p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / HDR10 / BT.2020
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- DTS:X Master Audio English 3188 kbps 7.1-X / 48 kHz / 3188 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
6 h0 {, U4 a4 B - DTS Audio English 448 kbps 2.0 / 48 kHz / 448 kbps / 24-bit+ d0 z5 Z! t2 T- g
- DTS:X Master Audio German 3189 kbps 7.1-X / 48 kHz / 3189 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)4 `3 T3 {, T7 ]( ~
- DTS Audio German 768 kbps 2.0 / 48 kHz / 768 kbps / 24-bit
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- DTS Audio Spanish 448 kbps 2.0 / 48 kHz / 448 kbps / 24-bit
; _* A5 Q" G+ R - Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps
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- SUBTITLES:
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h4 W8 d, @6 c# B1 }, E - Presentation Graphics English 32.633 kbps
4 ]. h* z# D# G% X( ^; y1 o9 @ - Presentation Graphics German 31.916 kbps
4 ~/ j s2 Q# d( D6 b0 P - Presentation Graphics Italian 27.424 kbps ' U: u, T# @, s! n7 o
- Presentation Graphics Spanish 28.053 kbps , |2 `6 x; A6 a/ M! c
- Presentation Graphics English 53.031 kbps 5 |6 o; g+ f4 H( N
- Presentation Graphics German 54.463 kbps
' g+ d% M* j2 i- g4 D1 P6 | - Presentation Graphics Italian 49.546 kbps
7 {$ m: t- {8 v - Presentation Graphics Spanish 49.778 kbps
N% w6 ^9 Y9 B - Presentation Graphics German 0.079 kbps
# g; Z9 ]4 x& \& R p - Presentation Graphics Italian 0.079 kbps , y* ?6 u3 ^: H' X' d' ]
- Presentation Graphics Spanish 0.159 kbps
复制代码 Vertigo 4K Blu-ray, Video Quality - K0 `- J$ s! n6 g
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& D4 K% |1 b% X- m6 @The included screenshots are sourced from a 1080p Blu-ray disc.$ M) A m [" F3 q9 f; X- q
, m) P; l l; g7 S: q& k, O3 n& m"Special" might be an apt description of Universal's 2160p/HDR UHD presentation of Alfred Hitchcock's 1958 masterpiece Vertigo. The gargantuan improvements over the Blu-ray are obvious right from the outset when the "VistaVsion" logo appears, the lettering leaping off the screen with extreme white luminance and intensity, putting to shame the Blu-ray's comparatively creamy, uninspired look. Not only that, but the canvas-like Paramount logo behind blows away the 1080p competition for sharpness and clarity. The various colors to follow under the opening titles -- teals, oranges, and, reds, amongst others, all in dizzying spirals -- dazzle with heretofore unmatched brilliance and depth.
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- I% M: I$ A* iSuch holds true throughout. Any and every color rendition example throughout the film presents with greatly enhanced vibrance, depth, and tonal solidification. Broad stroke elements like blue skies and green grasses are obvious, but there are a number of interesting one-off scenes with great color output of note. Here are a few. Look at the warm mahogany woods in chapter four. The tones are flatter on the Blu-ray but much fuller on the UHD, presenting with a punchier, deeper, and denser output, the color a completely transformative example of the HDR's vast improvements to color stability and authenticity. In the following scene in the 17 minute mark, a busy restaurant scene is peppered by a few bright dresses but mostly defined by the contrast of the black suits and the deep red wallpaper serving as another example of how the HDR tones simply overpower the Blu-ray's SDR output, making enormous gains in contrast and black level depth. The scene, and much of the movie, is also comparatively a good bit darker on the UHD, but even so audiences won't necessarily feel that if not directly comparing (or vice versa for that matter, seeing the Blu-ray as too bright when simply watching for pleasure rather than making comparative illustrations). It's the same with bunches of flowers minutes later, offering a splashy example of refined color expressiveness (those flowers also represent one of the more obvious boosts to object sharpness in the movie). The list just goes on.) u% g% B+ d2 p) |6 \: {% P4 ]
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The 2160p resolution sees the image's textural attributes much improved, too. Sharpness is greater and clarity effortlessly boosted in every shot. Skin textures are tighter, clothing lines finer, environments more clearly defined. The sense of total clarity and tactile definition sees the new image soar well beyond the aging Blu-ray. The picture features a beautifully fine and refined grain structure, a constant companion throughout, putting the finishing touches on an extravagant transfer.4 q! F, P: h9 I8 U- K
4 X5 p- e* ]# \+ _% y# q) N9 xThe review disc did have a major pixelated picture break-up and audio dropout in the 41-minute mark. After the disc was removed and the fingerprints from pulling it out of the DigiBook packaging were removed, it played just fine.
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Vertigo 4K Blu-ray, Audio Quality & q9 J- u [% G' L' j0 d6 Q: i
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( |- M! A; T0 C4 h0 r% F C; R7 CFor its UHD release, Vertigo earns a DTS:X Master Audio upgrade from the Blu-ray edition's 5.1 lossless presentation. And it's a treat from the beginning. Admittedly, the track hits its high point at film's start over the opening titles. The multichannel audio presentation offers a wonderfully expansive opening title sequence in which the music seems to emanate from the front left and right channels, as well as along the back, but also from directly atop the listener in one of the best examples of overhead musical engagement the format has yet to offer. The immersion is total and the subwoofer output is positive in support as well, creating a wonderfully detailed and enveloping experience that lays the groundwork for the movie's tone, story, and psychological underpinnings. Music throughout is full and fluid, flowing through the stage with expert spacing and precision handling of all elements, fully inserting the listener into every moment. Never again do the overheads engage so much and so prominently as they do right at the beginning, but the whole track certainly finds a full, authoritative surround wrap in all of the score's most prominent engagements. Environmental supports present with excellent spacial awareness and clarity as well, often subtly, but sometimes a little more fully and with superior pronouncement, inserting the listener into various scenes throughout the film. Balance is excellent in all scenes and the track never leaves the listener wanting for superior engagement. Dialogue is clear, well prioritized, and holds steady to its natural front-center position.7 }8 @% d% [ S1 A9 m% m Q
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