十万火急/龙出生天 [蓝光原盘 重制版] Daylight 1996 REMASTERED 1080p BluRaycd AVC TrueHD 7.1 Atmos-OLDHAM 44.59GB

◎译　　名　十万火急/龙出生天
$ a' l0 O. y- V  O& C* f+ d◎片　　名　Daylight
4 H# ^) Z# u$ e◎年　　代　1996
$ F! D: e0 T: n& a; G+ V◎产　　地　美国
: `9 y% j+ M2 r4 _* m◎类　　别　动作/冒险/灾难
◎语　　言　英语
% M* x+ d5 M' o$ A$ m◎上映日期　1996-12-06(美国)
& ?$ V2 R7 P2 H4 I1 \2 h◎IMDb评分  5.9/10 from 67,908 users
◎IMDb链接  https://www.imdb.com/title/tt0116040/
; b) q6 C; S9 U% r◎豆瓣评分　7.3/10 from 5,315 users
9 ?3 c( P: F* C  {% H. _! L, Y# z◎豆瓣链接　https://movie.douban.com/subject/1292834/
- Z' u: e3 l/ h- x: r◎文件格式　x264 + TrueHD
◎视频尺寸　1920 x 1080
* y8 P5 d! S% p" X; G◎文件大小　1DVD 44.59 GiB
. g$ Z. v7 Q; }' n$ w3 i◎片　　长　1:54:25.942 (h:m:s.ms)
4 C4 v0 c4 T' u5 b4 R- m◎导　　演　罗伯·科恩 Rob Cohen
◎编　　剧　莱斯利·博希姆 Leslie Bohem
◎主　　演　西尔维斯特·史泰龙 Sylvester Stallone
　　　　  　艾米·布伦尼曼 Amy Brenneman
2 m2 X& G6 \8 y; U' G. y　　　　  　维果·莫腾森 Viggo Mortensen
$ [# n' w' ^' i. h　　　　  　丹·哈达亚 Dan Hedaya
　　　　  　Mark Chadwick
　　　　  　沙基纳·贾弗里 Sakina Jaffrey
　　　　  　巴瑞·纽曼 Barry Newman
　　　　  　乔·安德森 Jo Anderson
　　　　  　塞奇·史泰龙 Sage Stallone
7 T0 H" u) @0 n* n- w' w: |3 s　　　　  　Trina McGee
, z$ U: o) c. M0 [0 c　　　　  　丹妮尔·哈丽丝 Danielle Harris
7 c: T4 M# [- u　　　　  　克莱尔·布鲁姆 Claire Bloom
# S7 j  X1 @* L7 G0 p; Z　　　　  　凯伦·杨 Karen Young
! T: z6 e, @- G0 r) R　　　　  　杰伊·桑德斯 Jay O. Sanders
7 |( u8 \$ [# K, e, N# k+ K　　　　  　内斯特·塞拉诺 Nestor Serrano
5 K" q# s. c+ M7 w4 ^$ O　　　　  　马克·罗斯顿 Mark Rolston
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9 v/ S+ j- ^" B4 c: b6 F◎标　　签　灾难 | 美国 | 史泰龙 | 动作 | 1996 | 美国电影 | 十万火急 | SylvesterStallone

◎简　　介    　　
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2 M+ O6 P7 J) x! Z6 h' s4 {　　这天无数往来于曼哈顿与新泽西州的海底隧道的美国民众像往常一样在隧道内抱怨着交通堵塞，岂料死神正在步步逼近。隧道内一辆装满化学物品的卡车意外发生了爆炸，强大的冲击力使得隧道坍塌了，出入口都被堵死了。此时，隧道内一片火海，弥漫着有毒烟雾，河水也在不断涌进，无数无辜的市民们能做似乎只有等死。
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　　救援队其实早到了，然而隧道被封，里面的有毒烟雾肆虐，救援人员迟迟不敢贸然动手。十万火急之际，出租车司机、前救援队队员骆查（西尔维斯特·史泰龙 Sylvester Stallone 饰）挺身而出了。他从通风口爬进了隧道，他稳定住了隧道内众人的情绪，带领大家开始了生死逃亡。
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$ K6 v1 t: `  v5 e, j9 w　　Disaster in a New York tunnel as explosions collapse both ends of it. One hero tries to help the people inside find their way to safety.
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◎获奖情况
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' N7 k- R) \( F! N　　第69届奥斯卡金像奖  (1997)
8 g5 r( J9 _, W. B- P& }  j　　最佳音效剪辑(提名) 理查德·路易斯·安德森 / DavidA.Whittaker
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3. Disc Title:     Daylight.1996.REMASTERED.1080p.BluRayCD.AVC.TrueHD.7.1.Atmos-OLDHAM
   
4. Disc Size:      47,879,672,240 bytes
   
5. Protection:     AACS
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6. Extras:         50Hz Content
   
7. BDInfo:         0.7.5.9 (compatible layout created by DVDFab 12.0.2.6)
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12. Length:                 1:54:25.942 (h:m:s.ms)
    
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Daylight Blu-ray, Video Quality   


Speaking of narrowly averted disasters, Daylight's 1080p/VC-1 encoded video transfer nearly succumbs to several lingering DVD-era issues. While matters improve significantly whenever the film plunges underground, Universal's presentation suffers from obvious, all-too-distracting edge enhancement, at-times severe ringing, intermittent print nicks, pervasive crush, seemingly random telecine wobble and other minor eyesores. But Daylight isn't the high definition fiasco that is Tremors, thank the Blu gods. DNR doesn't really come into play, a faint veneer of grain lends the film cinematic clout, smearing and other encoding problems aren't readily apparent, the whole of the image bests its DVD counterpart, and overall color, contrast and clarity are generally commendable. Some general softness creeps into special effects shots, sure. But most catalog junkies should be well accustomed to that by now. Some brief artifacting, presumably source-based, invades the image as well (the worst of which pops up at the tail-end of the climactic "Blowout" sequence), but it never gets out of hand. That said, closeups fare quite well, with notably improved fine textures and convincing skintones to boot, and tunnel scenes are rife with inky shadows, gorgeous flames and enough detail to render the majority of ceiling collapses and rising waters worth mentioning; almost enough to make Daylight's day-lit scenes more bearable. Almost. As it stands, Universal's transfer amounts to a hit-or-miss presentation with a few more hits than misses.

Daylight Blu-ray, Audio Quality   

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' o0 r  r1 f  ~Daylight's DTS-HD Master Audio 5.1 surround track doesn't hold water either. Dialogue is clean and clear (barring a few underground mishaps), but other aspects of the mix don't fare so well. LFE output is beefy, bullish even, yet smothers many an explosion, ominous rumble and collapse, often to the detriment of precision effects and more subtle ambience. The rear speakers are active, but directionality is strangely superficial, pans occasionally stumble, and the resulting soundfield isn't full or natural. And the entire experience lacks the finesse and flavor of a more refined lossless track. That's not to suggest the mix is a complete disappointment; just that it doesn't live up to its potential or escape descriptors like "average," "run of the mill" and "serviceable." '90s disaster flicks deserve aural acumen on par with any destruction being unleashed, and Daylight's sonics are too submissive and sluggish to stand shoulder to shoulder with its visuals.
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每天都来蓝光论坛看看，我爱蓝光电影。
The decisive Replies sink is I get the sinking feeling great sense of accomplishment!
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十万火急  谢谢楼主分享

每天都来蓝光论坛看看，我爱蓝光电影。
( L. S* ^3 w9 IYour resources, well, I am very satisfied!