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A blade runner must pursue and terminate four replicants who stole a ship in space and have returned to Earth to find their creator.* ~5 i Y* c, P* {9 Z( M
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, D- ~, F j. h) X r% j ?1 f+ \◎译 名 银翼杀手/叛狱追杀令/刀刃警探/公元2020
0 X9 S* R5 W" {& V& w◎片 名 Blade Runner
* S! H- d R; X* w$ l* x& f◎年 代 1982! N1 c0 ~# a- t1 m, d7 ^; q
◎产 地 美国/英国
. u1 x: {1 G% Y0 L1 l2 Q◎类 别 动作/科幻/惊悚
C% _9 O1 U; s% x4 J◎语 言 英语/德语/粤语/日语/匈牙利语/阿拉伯语/韩语5 I& Y: b7 D) O) @4 H
◎上映日期 1982-06-25(美国)
. i' g) _( Q% W$ A+ U◎IMDb评分 8.1/10 from 819,228 users$ f- Y9 ^% Q# a
◎IMDb链接 https://www.imdb.com/title/tt0083658/8 l+ \4 W9 ~" U' C1 ^* V t
◎豆瓣评分 8.6/10 from 271,762 users
3 x: }( V# L- q# w; s& L3 D, z◎豆瓣链接 https://movie.douban.com/subject/1291839/- S! Z! R M4 u. p% q/ v
◎文件格式 x265 + TrueHD - d& {% n1 \2 _4 B$ w' n
◎视频尺寸 3840 x 2160
- d! C! Y8 m7 f1 g9 N◎文件大小 1DVD 55.71 GiB& f+ C4 \: d: s _5 \
◎片 长 1:57:31.377 (h:m:s.ms)
& [; w9 U8 A" L" W8 ^. o _/ {◎导 演 雷德利·斯科特 Ridley Scott0 Q7 {: _; g/ B4 A7 n
◎副 导 演 Victoria E. Rhodes + Z8 H' z, N& X' @
◎编 剧 汉普顿·范彻 Hampton Fancher
# {7 U( t0 @2 f$ O7 x7 p 大卫·韦伯·皮普尔斯 David Webb Peoples
" i5 z0 P" U( @4 B6 v0 \& U 菲利普·迪克 Philip K. Dick/ `4 e8 J; `' P# O% M5 I5 h0 z! \
◎制 片 人 邵逸夫 Run Run Shaw
0 Y) I H' n2 F0 m9 D7 D8 u 雷德利·斯科特 Ridley Scott+ c$ Z- @* `9 [/ [4 \3 x* A2 j
查尔斯·德·劳氏里卡 Charles de Lauzirika
* c5 Z: Y! b8 Z! m% \, ?◎音 乐 范吉利斯 Vangelis/ Z0 J5 E# g+ W) h$ w
弗兰克·克莱帕基 Frank klepacki1 ?8 V8 M, I- \2 h: \
◎演 员 哈里森·福特 Harrison Ford | 饰 里克·狄卡 Rick Deckard
2 o W( R) {0 y+ n0 b0 i2 ]" r2 D' W 鲁格·豪尔 Rutger Hauer | 饰 Roy Batty
/ y: D; L& G7 M 肖恩·杨 Sean Young | 饰 瑞秋 Rachael
3 n3 b, B6 u. s6 M3 l. T+ _( R 爱德华·詹姆斯·奥莫斯 Edward James Olmos | 饰 加夫 Gaff
) I& ]& J5 u% z- G4 V! e M·埃梅特·沃尔什 M. Emmet Walsh | 饰 布莱恩特 Bryant
; Q1 o2 _ D3 h! U' @+ t 达丽尔·汉纳 Daryl Hannah | 饰 普瑞斯 Pris( w% e; T4 y; O" D3 w
威廉·桑德森 William Sanderson | 饰 J·F·塞巴斯蒂安 J.F. Sebastian
" R, E0 w& h) F: ~ 布里翁·詹姆斯 Brion James | 饰 莱昂·科瓦尔斯基 Leon Kowalski" F; s! q9 T/ {) y2 S
乔·托克尔 Joe Turkel | 饰 埃尔登·蒂雷尔博士 Dr. Eldon Tyrell
8 M0 ]7 x) H/ c. U) Q H 乔安娜·卡西迪 Joanna Cassidy | 饰 佐拉 Zhora
- ]( H% l- M6 J* P b5 `6 S 吴汉章 James Hong | 饰 汉尼拔·周 Hannibal Chew
$ g; I6 c/ F( T- o2 N' Q+ _ 摩根·保罗 Morgan Paull | 饰 霍尔登 Holden* Z; T" I* H' { q: s0 p
凯文·汤普森 Kevin Thompson | 饰 蛮横的人 Bear2 s2 O4 ]0 X0 E4 _8 A" ~; b" u
金永钢 Yonggang Jin; u* G6 P6 Z; I9 g( \
◎视觉特效 罗科·焦弗雷 Rocco Gioffre3 q/ `# R; p6 m: G& V5 e& }
理查德·尤里西奇 Richard Yuricich& E; p- B1 l- T8 |. |
Tim McHugh . W7 g2 c8 l/ y( C
米歇尔·莫恩 Michele Moen4 C2 s D, N8 x7 a$ Q O
卢克·奥伯恩 Luke O'Byrne! e! v- F( F! r. C
Bill Taylor 4 F/ O0 }2 }# g1 j. j
斯科特·斯奎尔斯 Scott Squires. K" E& \. b& t& S* R: N2 C' ]
克里斯托弗·S·罗斯 Christopher S. Ross- T% X- X2 C9 F) I
乔纳森·罗斯巴特 Jonathan Rothbart' X3 h9 ~+ H5 n
罗伯特·斯普尔洛克 Robert Spurlock
" {7 t- j2 Z. {. Q* j 大卫·K·斯图尔特 David K. Stewart
6 q0 K4 M+ J1 {9 g" _& n6 T 马修·尤里奇 Matthew Yuricich
# z7 f$ X0 c8 }0 e" E: ] 理查德·R·胡佛 Richard R. Hoover) M B$ N: r; B2 f
凯尔文·麦克伊尔温 Kelvin McIlwain
0 y7 w* e) ]8 ^0 c# n% @# Z& p y5 B 斯科特·查尔斯·斯图瓦特 Scott Charles Stewart) t3 S: k( ^- g: I0 ~/ Z: w. @" U
黛比·丹尼斯 Debbie Denise/ w2 c- S0 ^' J8 p1 n% k' V
Marc Sadeghi
; ?; S7 v& C: K a& A; ] 大卫·德赖尔 David Dryer; O1 ~& h$ R! f) w8 F
迈克尔·L·芬克 Michael L. Fink E4 y9 p' g2 W; n# a
比尔·乔治 Bill George' Z: S; j2 U7 r1 V: E3 h, [2 |
大卫·格拉佛顿 David Grafton
! v' g4 K) s$ S3 d 理查德·E·霍兰德尔 Richard E. Hollander' g9 _* k ~) y: q4 J( d
马克·斯泰特森 Mark Stetson
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8 C! S [% q( l/ l) C8 y◎简 介 ) W o# Y S F; k- J! J
1 t" S6 T6 V. J1 b) e5 P( b 2019年11月,刀锋跑者霍顿(Morgan Paull 饰)在泰瑞尔公司对新员工进行沃伊特-坎普夫测试时,被技师里昂·科瓦尔斯基(Brion James 饰)枪击。警监布莱恩特(M. Emmet Walsh 饰)不得不命老牌刀锋跑者戴克(Harrison Ford 饰)出马,猎杀复制人里昂、罗伊·巴蒂(Rutger Hauer 饰)、佐拉(Joanna Cassidy 饰)、普里斯(Daryl Hannah 饰)。戴克来到泰瑞尔公司调查,在艾登·泰瑞尔博士(Joe Turkel 饰)的请求下,对员工瑞秋(Sean Young 饰)进行了测试。百余问题之后,戴克判断瑞秋为复制人。而瑞秋本人对此真相竟一无所知……- B5 D% j3 b, B- ~3 Q
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In a future of high-tech possibility soured by urban and social decay, a 21st-century detective is on the trail of four fugitive replicants—cloned humans that are now illegal—and is drawn to a mystery woman whose secrets may undermine his soul.4 ^9 E; c% Q& p8 }. ^
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◎获奖情况
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9 G( M$ ^2 D4 H" j 第55届奥斯卡金像奖 (1983)( U9 F, @( D7 k
最佳视觉效果(提名) 道格拉斯·特朗布尔,理查德·尤里西奇,大卫·德赖尔# E. j0 k8 O" k) S- p
最佳艺术指导(提名) 劳伦斯·G·波尔,琳达·德森纳,大卫·L·斯奈德$ W- S7 i: x, H! `; L- x/ K
: Z, C3 R% {6 F: r- DISC INFO:
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% Y; [+ [% u: }7 a# `- Disc Title: Blade.Runner.1982.The.Final.Cut.2160p.BluRayCD.HEVC.TrueHD.7.1.Atmos-HDRINVASION
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- Protection: AACS2
9 L1 g, v' j3 @% [% C - BD-Java: Yes
+ ~3 S* S1 O/ I( L! j - Extras: Ultra HD
, ?. Y& z) e6 n* p% N - BDInfo: 0.5.8.7 (compatible layout created by DVDFab 10.0.6.5) X" J, g2 A+ A, [& T6 M- F
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* `4 D4 x1 G0 m- R - Length: 1:57:31.377 (h:m:s.ms)/ ~9 ?% Y) O9 S( k* Q# G
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- Total Bitrate: 65.58 Mbps
! h; s( P8 I' f- Y" | - (*) Indicates included stream hidden by this playlist.
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- Video:
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& ^& A3 R) y+ V0 }( w4 ` - Dolby Digital Audio French 640 kbps 5.1 / 48 kHz / 640 kbps
! F) m/ \' l, Z7 x' h8 g4 k - Dolby Digital Audio German 640 kbps 5.1 / 48 kHz / 640 kbps$ x G# S$ Z5 m7 p5 G+ D: U
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复制代码 Blade Runner 4K Blu-ray, Video Quality
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/ t' q* `' I' P8 D- P. @" W; a(Note: Screenshots accompanying this review have been captured from the standard Blu-ray. Additional captures from that disc can be found here.)/ B, Y5 K, Z1 [: q
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The Final Cut of Blade Runner was assembled from multiple sources, including a high-resolution scan of the film's original camera negative as well as new effects originated and completed entirely in the digital domain. The final result was a 4K digital intermediate that was used as a source for the 2007 Blu-ray. For this new 2160p, HEVC/H.265-encoded UHD, Warner has returned to that 4K DI, with no further modifications other than the application of HDR encoding.$ `1 L; T- }2 G s+ t
9 Y2 |8 a5 A# C/ E, mUnfortunately, the studio has decided not to accompany the 4K disc with a remastered 1080p Blu-ray, as it did with its recent UHD release of Unforgiven. The 2007 Blu-ray is a low-bitrate VC-1 encode prepared for both Blu-ray and HD-DVD, and its age is showing. The Final Cut could look much better on Blu-ray than it did ten years ago. By failing to provide a remastered standard disc, Warner has missed an opportunity to sell this set to fans who haven't yet upgraded their equipment to 4K but would be willing to "future proof" their purchase for the sake of an improved 1080p experience.
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Y/ K- e" b2 k" D. [3 S8 a# F# nCompared to the dated Blu-ray, Blade Runner's UHD presentation can't help but look better, but it's more than better—it's astonishing. The improvements begin with the opening logos, where the pixelated tree representing the Ladd Company unfurls across and down the screen without a hint of the flicker and aliasing that have been there on every prior version, including the 2007 Final Cut Blu-ray. The opening aerial views of 2019 Los Angeles have always been impressive, but prepare to gasp when the Tyrell Building comes into view, with each window, level and outcropping now sharply and crisply resolved. (The Blu-ray is blurry by comparison.) Throughout the film, the UHD's resolution reveals so much detail in the remarkable model work that it almost breaks the illusion of scale. If the cityscape were any clearer, you'd see that it was made of miniatures./ F5 P* p8 e3 R
+ L A+ O* ^2 L2 C4 C& KThe combination of 4K resolution and HDR encoding highlights numerous fine details that have been there all along but now command new attention. I never before focused on the crisply stenciled "Tyrell Corp." on the chairs in which Leon and Holden sit during their fateful encounter, but now that logo is sharply visible. The textured vertical striping on the bow tie worn by Dr. Tyrell during his meeting with Deckard rises out of the frame, adding yet one more item to the genius tycoon's list of sartorial eccentricities. The individual strands on Rachel's oversized fur coats stand out vividly, making both the coats and their wearer seem even more out of place. (Who wears huge fur coats when it's always raining?) Individual stars in the sky above Batty as he descends from his meeting with Tyrell blaze more brightly, and more of them are visible. In the scene where J.F. Sebastian sits at his dining room table surrounded by his family of genetically engineered toys, more of Sebastian's odd creations can be seen clearly, even those at the edges of the frame, expanding the group of onlookers who will watch helplessly as Pris and Batty enter and Sebastian begins to grasp his dangerous predicament.; B$ w. U6 R' e- {
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Warner's UHD of the Final Cut brings some of the most influential visuals in movie history to the home theater screen with a focus and intensity unmatched by any but the finest theatrical presentations. It's one of the handful of discs to date that truly delivers on the promises of 4K. Watching Blade Runner on this disc is like seeing the film anew. Everything you remember seeing is there—and more.
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! e# x1 l: P, l# n. }[System calibrated using a Klein K10-A Colorimeter with a custom profile created with a Colorimetry Research CR250 Spectraradiometer, powered by SpectraCal CalMAN 2016 5.7, using the Samsung Reference 2016 UHD HDR Blu-ray test disc authored by Florian Friedrich from AV Top in Munich, Germany. Calibration performed by Kevin Miller of ISFTV.]( X1 z y2 [7 u" D0 e: N( S5 a1 h
5 l$ ?( j2 x( O2 y5 v3 MNote: 2K score updated to reflect clarifications to scoring categories since this review was first published.$ V3 F; W5 C6 ?% x% S! x
" Q5 L1 @( s% Z# HBlade Runner 4K Blu-ray, Audio Quality 9 ?4 G. `5 F( f$ a6 r5 E# k
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Almost as impressive as the visual upgrade is the newly remixed Dolby Atmos soundtrack. I didn't think it was possible to improve on the effective 5.1 mix supplied on the 2007 Blu-ray in Dolby TrueHD, but the sound engineers have achieved new levels of intensity and immersion. The opening drumbeats of Vangelis' electronic score are thunderous and deep while remaining tightly focused. The score and sound effects have been blended and intertwined more closely than ever to create a uniquely eerie audio landscape. Background dialogue like the loudspeaker voice at the Tyrell Corporation (during Leon's interview) and the announcements from the ever-present dirigible advertising life in the off-world colonies are more distinct, while retaining their appropriate place in the background. Continuous rainfall fills the room during outdoor scenes such as Deckard's introduction, while individual effects like the flashing neon dragon's tongue at the noodle stand remain clearly localized, as does the dialogue. The hubbub of large crowd scenes like those at Taffey Lewis' club or the busy streets where Deckard pursues Zhora is both expanded and refined, so that you have the sense of being surrounded by a sea of individual voices rather than a generalized murmur. The sounds of the Bradbury Building (pigeons flapping their wings, elevators rising and descending, water streaming) are intensified and precisely placed.
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One could continue noting examples for pages, but the point is that the Final Cut's UHD doesn't just feature a superior picture; it also offers a quantum leap in audio quality, drawing the viewer further into Rick Deckard's darkly mysterious world and making Blade Runner live and breathe even more vibrantly on the screen. For those with the equipment to decode it, the Atmos track alone would justify an upgrade (which makes it doubly unfortunate that Warner has chosen not to provide a remastered standard Blu-ray).
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