逃出白垩纪/65：绝境逃生 [蓝光原盘] 65 2023 1080p BluRaycd AVC DTS-HD MA 5.1-MANBEARPIG 29.34GB

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◎译　　名　逃出白垩纪/65：绝境逃生(港)/65：恐怖行星(台)
) m4 @5 F- ^9 {0 q◎片　　名　65 / Cuộc Chiến Thời Tiền Sử
◎年　　代　2023
; ?# E* k& S7 C7 p3 `( r◎产　　地　美国/加拿大
; d6 A4 f/ S0 n! c◎类　　别　动作/科幻/惊悚/冒险
$ G& z6 I6 J$ e% {% Y3 R$ l: A◎语　　言　英语
, Z# d. P7 m' l3 ?5 X" |- Z◎上映日期　2023-03-31(中国大陆)/2023-03-10(美国)/2023-03-08(以色列)
! g+ q* {+ w- _$ i" k. E& V◎IMDb评分  5.4/10 from 43,320 users
◎IMDb链接  https://www.imdb.com/title/tt12261776/
◎豆瓣评分　4.5/10 from 8,247 users
0 x" b, F' W- ~6 J$ o, t◎豆瓣链接　https://movie.douban.com/subject/35197766/
3 r1 |& Q% ^  w, i3 o1 J◎文件格式　x264 + DTS  
◎视频尺寸　1920 x 1080
◎文件大小　1DVD 29.34 GiB
◎片　　长　1:32:42.557 (h:m:s.ms)
5 _  F$ e) E* p& |) u* r◎导　　演　斯科特·贝克 Scott Beck
　　　　　  布莱恩·伍兹 Bryan Woods
◎编　　剧　斯科特·贝克 Scott Beck
+ R; v6 ~& w( m: V$ Q* z7 `　　　　　  布莱恩·伍兹 Bryan Woods
3 O: i7 E; M4 l$ T( r+ @8 ?. B- f% }◎音　　乐　丹尼·艾夫曼 Danny Elfman
$ q2 C" y( h( g; d( z　　　　　  克里斯·贝肯 Chris Bacon
3 @  j# |# H3 [% h: V◎主　　演　亚当·德赖弗 Adam Driver
　　　　　  阿丽亚娜·格林布拉特 Ariana Greenblatt
　　　　　  克洛伊·科尔曼 Chloe Coleman
$ k# \, z" v0 m　　　　　  妮卡·金 Nika King
　　　　　  布莱恩·达尔 Brian Dare
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6 U" r3 {/ v7 O! A. W" O! [8 I' e+ F◎简　　介

+ b! w, f3 C1 T0 \% ?' s, e　　飞船坠毁在未知的星球上，飞行员米尔斯（亚当·德赖弗 Adam Driver 饰）发现自己竟被困在了6500万年前的地球上。此时只有一个获救的机会，他和另一位仅有的幸存者寇娅（阿丽亚娜·格林布拉特 Ariana Greenblatt 饰）要在这片充满危险史前生物的未知环境中极限求生。

) K9 V/ T* s- h$ C5 e　　An astronaut crash lands on a mysterious planet only to discover he's not alone.

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3. Disc Title:     65.2023.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-MANBEARPIG
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4. Disc Size:      31,506,435,494 bytes
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5. Protection:     AACS
   
6. Extras:         BD-Java
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7. BDInfo:         0.7.6.1 (compatible layout created by DVDFab 12.1.0.6)
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12. Length:                 1:32:42.557 (h:m:s.ms)
    
13. Size:                   26,245,275,648 bytes
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14. Total Bitrate:          37.75 Mbps
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65 Blu-ray, Video Quality   
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/ i$ d- q- b' aSony's Blu-ray release of 65 offers a very solid picture. The picture was digitally shot and does hold to some light-to-moderate noise but is otherwise free of any source or encode artifacts. The picture is clear and satisfying, offering excellent definition to prehistoric terrain, high detail inside the ship, and razor-sharp textural details in faces and clothes. Audiences will find opportunity to scrutinize various elements in practically every scene, and even digital elements, which are seen aplenty, are nicely integrated and equally well defined. Color output is strong, too, with much of the movie appearing fairly cold and bleak but still presenting excellent opportunity for tonal vividness out in the world, or for example on some sandy red material that Mills uses to show Koa the path through the world and to a functional escape shuttle. Black levels are consistently healthy and skin tones look natural as well. This is a very fine presentation from Sony.

) W) e1 c, O4 y. _5 I65 Blu-ray, Audio Quality   


Sony brings 65 to Blu-ray with a DTS-HD Master Audio 5.1 lossless soundtrack. The companion UHD features a Dolby Atmos soundtrack. Blu-ray listeners may be getting shortchanged on the number of active channels with this release, but they are not being shortchanged on activity. An opening outer space sequence, in which a spaceship flies through an asteroid field, is reminiscent of the crash-landing sequence from Pitch Black, which offers similar dynamics: rocks pelting and penetrating the ship, alarms and other elements blasting inside the vessel, the crash into the planet, with various sections jettisoning from the ship as well. That sequence from Pitch Black was always, and remains, one of my favorite audio reference moments dating even back in the DVD era, and this may likewise become one of those favorite reference moments for the future. The track continues to impress with nicely immersive atmosphere on the planet and plenty of big support elements during action. The track faithfully and relentlessly pushes forward with impressive yield in both subwoofer and surround usage, both very balanced and engaging, holding clarity and precision even during the most active moments. Musical clarity is very good, too, and stage engagement satisfies with dominant front-end placement and healthy back wrap. Dialogue is clear and center focused for the duration.
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